1984 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Laurie Anderson Goes for the Throat," by Mark Dery; "The Why and How of Collaboration," by Susan Block; "Pat Oleszko," by Carl Heyward; "The Evolution of Obsession," by Margot Mifflin, Yayoi Kusama Interviewed on Her Psychosomatic Art; "Linda Burnham Reports;" "Performance in the '80s: The TV Generation: Lin Hixson, Molly Cleator, Tim Miller" by Jacki Apple; "Glamour as Environmental Art," by Moe Meyer; "Michael Kelley," by Kathi Norklun; "From a Whisper to a Shout: Suzanne Lacy Talks About a Network for Women's Voices," by Margot Mifflin; "The Catalist Olympics," by Lewis MacAdams; "In Dogged Pursuit of the World's Greatest Artist," by Linda Burnham; "The D. ... [details]
1986 issue of High Performance, The Performance Art Quarterly, edited by Steven Durland. Contents include: "Nuevo Latino!: Introduction to a Celebration of Latino art," by Steven Durland; "A New Artistic Continent," by Guillermo Gómez-Peña; "The Artist as Citizen," by Emily Hicks; "Art with a Chicano Accent," by Linda Burnham, Steven Durland, and Lewis MacAdams; "Regina Vater, Marie-Judite dos Santos, Catalina Parra," by Robert C. ... [details]
1983 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Videotex Services," by Gregory McKenna; "Interactive Videodisc: Interview with Sandra Devlin, Interview with Mitchell Kriegman, Visions of Interactivity," by Gregory McKenna,"; "Publications" reviews by Irwin Irwin; "Music, Electronics: Diamanda Galas on Music and Performing," by Carl Heyward;" "Anonomanifesto," by Irwin Irwin; "Present Tense/Rites of Passage," by Michael Nash; "San Francisco Performance Art," by Irwin Irwin; "Disappearing into the Culture as a Frequency: Bytes from a Conversation," by Lynnette Taylor; "Toward a Criticism of Television Art," by Carl Loeffler; "Video Art Out to Lunch: Jaime Davidovich Interviews Les Brown," edited by Yvonne Stahr; "Four-Sided Fable: Bay Area Producers Stake Out Their Corner of the Video Market," by Eric Knorr; "Music Television Emerges," by Robin Reidy; "On the Tube in the Apple," by Patrice Thomson. [details]
Winter / Spring 1982 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "The Avant-Garde; The Open Work of Art; and Performance," by Mark Levy; "Improvideo," by Gregory McKenna; "The Past," by Tom Marioni; "Performing Post-Perfromancist Performance, Part I," by Carl Loeffler; "Riders on the Storm, or The Chicago Connection," by Richard Irwin; "Performance;" "Video;" "The Days of Wine & Moda," by Carl Heyward; "Publications;" "Information;" "Correspondence Art;" "Banana Perspective," by Alice Dubiel. ... [details]
Monograph on the work of Carolee Schneemann including essays, interviews, and projects by and with the artist. Essays, interviews, and reviews by Kristine Stiles, Robert C. Morgan, Kate Haug, Linda Montano, Carl Heyward, Aviva Rahmani, Jay Murphy, Robert Riley, William Peterson, Eleanor Heartney, Thomas McEvilley, and David Levi Strauss. ... [details]
