A tabloid style artists' project based on notions of exchange between Huebler and fifty artists. Text from cover: "50 signed original copies of this statement, (priced at $150 each), will constitute the only from of this piece for an indeterminate period of time. ... [details]
Exhibition catalogue published in conjunction with show "Artists & Prints: Masterworks from The Museum of Modern Art, Part I," held November 20, 2004 – March 14, 2005. Essay by Deborah Wye. Additional texts by Starr Figura, Judith Hecker, Raimond Livasgani, Harper Montgomery, Jennifer Roberts, Sarah Suzuki, and Wendy Weitman. ... [details]
Exhibition catalogue published in conjunction with the inaugural iteration of the quinquennial exhibition "Greater New York" held February 27 - May 14, 2000. The exhibition marked the first curatorial collaboration between PS. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World: Arthur C. Danto on Haruspicy," by Arthur C. Danto; "Believe it or Not: J. Hoberman on American Myths," by J. Hoberman; "Slant: Manohla Dargis on the Deadman," by Manohla Dargis; "Museum Piece: A Project for Artforum," by William Anthony; "The Cave: Marco Giusti on Federico Fellini," by Federico Fellini; "Troubleshooters: Stuart Morgan on English Drag," by Stuart Morgan; "Curies' Children: Vilém Flusser on Future Architecture," by Vilém Flusser; "Left-Right: A Project for Artforum," by Judy Pfaff; "Requiem for the Degas of the B-Boys: Keith Haring," by Robert Farris Thompson; "Light in Geometry: A Project for Artforum," by Dorothea Rockburne; "Fausto Melotti, The Enchanted Lyricist," by Jole de Sanna; "The Weather is Here, Wish you Were Beautiful," by John Miller; "Invocations of The Surge Protector: Doug Hall," by Bill Berkson; "Heads: A Project for Artforum," by Jeanne Dunning; "Syncopated Thriller: Dennis Potter's Singing Detective," by Therese Lichtenstein; "Joyce Kozloss's Crimes of Passion," by Peggy Phelan; "Modernism's Many Lives: David Diao," by Bruce Ferguson. ... [details]
Issue edited by Ida Panicelli. Essays "Object: Maud Lavin on New Traditionalism and Corporate Identity," by Maud Lavin; "Invisibility Blues: Michele Wallace on Doing the Real Thing," by Michele Wallace; "Books: Marianna Torgovnik on the Art of the Monument," by Marianna Torgoynik; "Believe it or Not: J. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: Maria Nadotti on Reinterpreting Chekov," by Maria Nadotti; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Appetizers: Barbara Kirshenblatt-Gimblett on Edible Art," by Barbara Kirshenblatt-Gimblett; "Undertone: Scott Gutterman on Rhythm and Rage," by Scott Gutterman; "Books: Diedrich Diederichsen on Greil Marcus' European Dream," by Diedrich Diederichsen; "Icons at Large: Maureen Connor on Modesty," by Maureen Connor; "Another Alphabet: The Art of Marcel Broodthaers," by Thomas McEvilley; "On Fire: A Project for Artforum," by Nic Nicosia; "Critical Reflections," Cornel West; "Listen Carefully: The Mahabharata on Film," by Ida Panicelli; "Contents Under Pressure: Equipo Crónica," by Dan Cameron; "Hapless Figures in an Artificial Storm," by Max Kozloff; "Satanic Paintings: A Project for Artforum," by Mario Nigro; "Nancy Dwyer Makes Trubble," by Marcia Tucker. ... [details]
Issue edited by Ingrid Sischy. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Remembrance of Objects Past," by Rosetta Brooks; "Andy Warhol: Top Gun and Brancusi," by J. Hoberman; "Flurries of Design," by Joost Elffers; "Decoding the Coating," by Seigow Matsuoka; "An Ornamented Joke," by Joyce Kozloff; "Representing Paper," by Sidney Tillim; "The Lovers," by Ulay & Marina Abramovic; "Art to the Power N," by Germano Celant; "Ground Up," by Herbert Muschamp; "Icons at Large," by Lisa Liebmann; "Objects," by Alessandro Mendini; "Like Art," by Glenn O'Brien; "A Canvas of Episodes," by Frederic Tuten; "The Cave," by Wolfram Schutte; "Speaker to Speaker," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Animarum Venator (Hunter of Souls): An Interpretation of Arcimboldo," by Massimo Cacciari; "'I Like the Free World.' Arcadian Settlements on the Edge of the Unknown from the 1600s to the Present: Part II of a Series on Different Styles of Vision," by Carter Ratcliff; "Louis Sullivan's Clay Gardens: Pod-Modernism," by Colin Westerbeck; "Harlequinade for an Empty Room: On David Salle, Classical Steps Toward the Year 2000," by Lisa Liebmann; "Jannis Kounellis and the Reenchantment of Contradiction: Diverting Fact to Possibility," by Kenneth Baker; "Who Told Thee That Thous Was't Naked: The Immaculate Commission in the Emperor's New Clothes," by Thomas McEvilley; "Museum Piece: Los Angeles' Recent Acquisitions," by Joseph Giovannini; "Icons at Large: Knowing Who Your Friends Are," by Lisa Liebmann; "Like Art: Birthday Suits for Different Parties," by Glenn O'Brien; "Speaker to Speaker: Listening to the Words," by Greil Marcus; "Books: A Review of Art Spiegelman's Maus: A Survivor's Tale," by Richard Gehr; "A Canvas of Episodes: On the Wings of Love, Rex Finds Out What Give-and-take is All About," by Frederic Tuten. ... [details]
Issue edited by Ingrid Sischy. Essays "The Opposite of Emptiness: On the Spirit in Art," by Thomas McEvilley; "Excuse Me Madame But It Seems To Me Unless I'm Mistaken That I've Met You Somewhere Before: A Conversation with Eugène Ionesco," by Sanda Miller; "Nine Beatitudes on Eight Pages: After 'Four Saints in Three Acts,' Another Act, with Pictures," by Ingrid Sischy; "Hans Haacke's Corporate Muse: 'Unfinished Business,'" by Jean Fisher; "The Sleeping Beauty in the Castle of Modern Art: A Slumberer Stirs," by Ida Panicelli; "Louise Bourgeois: Where Angels Fear to Tread, A Profile in Courage," by Donald Kuspit; "Museum Piece: Rain. ... [details]