Two sided oversized folded flyer / announcement published in conjunction with the opening of the John Cage Trust of New York City in [1993]. Executive director: Laura Kuhn. Board of Trustees: Merce Cunningham, Anne D'Harnoncourt, Laura Kuhn and David Vaughan. [details]
October 1983 issue of "On the NEXT WAVE : The Audience Magazine of BAM's NEXT WAVE FESTIVAL." Edited by Roger W. Oliver. Contents include "From the Judson to BAM: Trisha Brown and Lucinda Childs," by Sally Banes; "California Dreamin': West Coast Artists in the NEXT WAVE," by David Bither; "Great Black Music: Ancient to the Future," by Leonard Goines; "Diaghilev and After: Twentieth-Century Collaborations," by David Vaughan; "NEXT WAVE Bookshelf;" and "Spotlight on Sponsors. ... [details]
Issue number five out of six issues, published between 1958 and 1965. Texts by P.G. Pavia, Norman Bluhm, Stanley Breul, Barbara Bulter, Alfred Duhrssen, Mathias Goeritz, David Hare, Thomas B. Hess, Hoseki Shin'ichi, Hisamatsu, Hans Hofmann, Paul Jenkins, Lester Johnson, William Littlefield, E. ... [details]
Exhibition catalogue published in conjunction with show held April 16 - May 26, 1974. Text and chronology by David Vaughan. Well illustrated in black-and-white. Includes addenda sheet. [details]
Number 10 of the periodical "Ballet Danse" featuring writing by Merce Cunningham, Pierre Lartigue, Michel Guy, Serge Jouhet, Claude Grimal, David Vaughan, Marie Degroult, Ornella Volta, Dominique Brosseur, Lise Brunel, John Cage, Gordon Mumma, Peter Brook, Jacques Baril, Viola Farber, Yvonne Rainer, Valda Setterfield, Chris Komar, Mikhail Baryshnikov, Bertrand Raison, Wilfride Piollet, Jean Guizerix, snf Jean-Claude Galotta. ... [details]
"This 456-page volume, published in conjunction with the Walker Art Center and MCA Chicago''s exhibition Merce Cunningham: Common Time (February 8–September 10, 2017), reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance, including the development of site-specific dance, the use of technology as a choreographic tool, and the radical separation of sound and movement in dance. ... [details]
Winter 1979 issue of the New York-based periodical Performing Arts Journal. Edited by Bonnie Marranca and Gautam Dasgupta, with written contributions by Dasgupta, Jules Aaron, Theodor Adorno, John Ashbery, Daniel C. ... [details]
