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Text-Sound Texts
  • critical theory
  • partial cloth boards with dust jacket
  • offset-printed
  • sewn bound
  • black-and-white
  • 23.5 x 16 cm.
  • 441 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 0688036163

Text-Sound Texts

Richard Kostelanetz, Walter Abish, Jonathan Albert, Charles Amirkhanian, Beth Anderson, Douglas Barbour, Earle Birney, Bill Bissett, Warren Burt, John Cage, Alissandru Caldiero, Rosemarie Castoro, Guy De Cointet, Geoffrey Cook, Michael Cooper, Philip Corner, Jean-Jacques Cory, Bruce Curley, Charles Dodge, Charles Doria, Jon Erickson, Raymond Federman, Camille Foss, Four Horsemen, Sheldon Frank, Else von Freytag-Loringhoven, Fern Friedman, Terri Hanlon, Kenneth Gaburo, Jon Gibson, Abraham Lincoln GIllespie, Allen Ginsberg, John Giorno, Philip Glass, Anthony J. Gnazzo, Malcolm Goldstein, Mark Goodman, Glenn Gould, Courtenay P. Graham-Gazaway, Brion Gysin, Lafcadio Hearn, William Hellerman, Scott Helms, Dick Higgins, Tom Johnson, Eugene Jolas, Kevin Jones, Lionel Kearns, W. Bliem Kern, Jack Kerouac, Kenneth King, Christopher Knowles, Lawrence Kucharz, S.J. Leon, Charles Levendosky, Annea Lockwood, Cindy Lubar, Alvin Lucier, Toby Lurie, Jackson Mac Low, David Mahler, Steve McCaffery, Aaron Miller, Charles Morrow, bp Nichol, Claes Oldenburg, John Oswald, Spiros Pantos, Michael Joseph Phillips, Pedro Pietri, Norman Henry Pritchard II, Faye Ran, Henry Rasof, Ernst Robson, Jerome Rothenberg, Patrick Saari, R. Murray Schafer, Arleen Schloss, Armand Schwerner, Stephen Scobie, Judith Johnson Sherwin, Mary Ellen Solt, Charles Stein, Gertrude Stein, Ned Sublette, Jose Garcia Villa, Lawrence Weiner, Larry Wendt, Stephen Ruppenthal, Jon Whyte, Emmett Williams, Reese Williams, Robert Wilson, A.J. Wright, Nina Yankowitz, Karl Young, Harriet Zinnes, Ellen Zweig

Collection of "text-sound" art / "sound poetry" texts. Edited by Richard Kostelanetz. Text by Richard Kostelanetz, Walter Abish, Jonathan Albert, Charles Amirkhanian, Beth Anderson, Douglas Barbour, Earle Birney, Bill Bissett, Warren Burt, John Cage, Alissandru Caldiero, Rosemarie Castoro, Guy De Cointet, Geoffrey Cook, Michael Cooper, Philip Corner, Jean-Jacques Cory, Bruce Curley, Charles Dodge, Charles Doria, Jon Erickson, Raymond Federman, Camille Foss, Four Horsemen, Sheldon Frank, Else von Freytag-Loringhoven, Fern Friedman, Terri Hanlon, Kenneth Gaburo, Jon Gibson, Abraham Lincoln GIllespie, Allen Ginsberg, John Giorno, Philip Glass, Anthony J. ... [details]

$45.01
Condition:  Used
Anne Ryan : Collages 1948 - 1954
  • exhibition catalogue
  • pictorial wrappers
  • offset-printed
  • glue bound
  • color
  • 20.4 x 20.1 cm.
  • [unpaginated]
  • edition size unknown
  • unsigned and unnumbered

Anne Ryan : Collages 1948 - 1954

Anne Ryan, Eric Gibson

Exhibition catalogue published in conjunction with show held October 13 - November 7, 1979. Text by Eric Gibson. Includes biography, selected exhibitions, public collections, archives and bibliography. [details]

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  • exhibition catalogue
  • boxed edition
  • ink jet printed
  • stitch bound
  • black-and-white & color
  • 23 x 14 cm.
  • [unpaginated]
  • edition size 100
  • unsigned and numbered

Annotations

[21 Volume Box Set]

Public-Holiday Project, Champion Fine Art, Rachel Foullon, Matt Keegan, Laura Kleger, Sara Greenberger, Adam Putnam, Alex Robbins, Halsey Rodman, Carter Mull, Michael Zahn, Rebecca Chamberlain, Christopher Chiappa, John Pilson, Jeroen Kooijmans, Guy Richards Smit, Michael Smith, William Wegman, Kelly Breslin, Meredith Danluck, Alice Könitz, Jeff Ono, Michelle Lopez, Kate Grinnan, Tom Texas Holmes, Slylar Haskard, Anna Sew Hoy, Joe Scanlan, Stephen Shore, Kelley Walker, Flora Wiegmann, Drew Heitzler, James Welling, Eric Wesley, Carey Young, Walead Beshty, Rose Kallal, Fia Backström, Michael Phelan, Jonah Freeman, Chuck Nanny, Adam McEwen, John Tremblay, Peter Coffin, Craig Kalpakjian, John Armleder, Cyprian Gaillard, Jan Groover, Kevin Landers, Olivier Mosset, Amy O'Neill, Kirsten Mosher, Jordan Wolfson, Samuel Casebolt, Candace Cole, Charles Goldman, Alix Lambert, Brian Bress, Jeff Burton, Corinna Schnitt, Monique van Genderen, Terra Fuller, Benjamin Butler, Suzanna Vapnek, Franklin Evans, Mari Eastman, Charles Irvin, Holly Coulis, Brian Belott, Bella Foster, Melissa Brown, Brendan Cass, Charlotta Westergren, Ellen Altfest, Tyson Reeder, Scott Reeder, Claudia Pena, Katherine Bernhardt, Nick Barna, Scott Cassidy, Tom Costa, Erik Frydenborg, Hannah Greely, Jesse Kamm, Kalup Donte Linzy, Shana Lutker, Avigail Moss, Stephen Rhodes, Joaquin Spengemann, Jonas Wood, Heather Cantrell, Rachel Corry, Drew Dominick, Ernest Gibson, Raffi Kalenderian, Shio Kusaka, Nate Lowman, Tony Matelli, Adrian Paules, Bert Rodriguez, Keith Vaughn, Matt Johnson, Jonas Nobel, Jessica Jackson Hutchins, Frederik Söderberg, Dan Torop, Roe Ethridge, Nina Andersson, Ron Jude, Kevin Landers, Aleksandra Mir, Andrew Rodgers, Chris Verene, Matt Ducklo, Huma Bhabha, Jennifer Sirey, Nancy Shaver, Susan Jennings, Jennifer Coates, David Shaw, Valetin Carron, Gardar Eide Einarsson, Fabrice Gygi, Alex Morrison, Mai-thu Perret, Aidas Bereikis, Bettina Funcke, Seth Price, Bill Saylor, Anke Weyer, Wendy White, Emily Sunblad, Josh Smith, Lizzie Bougatsos, Amy Granat, Elizabeth Valdez, Steven Parrino, Alex Kwartler, Macrae Semans, Molly Welch, Allyson Vieira, Jarrett Mellenbruch, Adam Raymont, Emily Miranda, Carol Bove, Christian Brown, Robert Medvedz, Jon Widman, Lorenzo de Los Angeles, Gordon Terry, Hisham Akira Bharoocha, Bjorn Copeland, Scott Wolniak, Andrew Jeffrey Wright, Reed Anderson, Larry Bamburg, Sylvie Fleury, Adam Frelin, Vincent Szarek

"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]

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Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 26.5 x 26.7 cm.
  • 135 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 30 No. 7 (March 1992)

Ida Panicelli, Manohla Dargis, Ann Marlowe, David Levi Strauss, Greil Marcus, Villem Flusser, Michael Corris, Ann Gibson, Giulio Paolini, Bojana Pejic, Jochen Gerz, Miriam Rosen, Jeanne Silverthorne, W.J.T. Mitchell, Nancy Spector, David Wojnarowicz, Donald Kuspit, David Rimanelli, Jan Avgikos, Keith Seward, Lois E. Nesbitt, Thad Ziolkowski, Kirby Gookin, Lisa Liebmann, Matthew Weinstein, Justin Spring, Jenifer P. Borum, John Yau, Ronny Cohen, Eileen Neff, James Yood, Maria Porges, Colin Gardner, Amy Gerstler, Benjamin Weissman, Linda Genereux, Anaxtu Zabalbeascoa, Massimo Carboni, Maria Nadotti, Jean-Pierre Criqui, Anne Dagbert, Miriam Rosen, Olivier Zahm, Sabine B. Vogel, Norbert Messler, Noemi Smolik, Frank-Alexander Hettig, Lars O. Ericsson, Kimmo Sarje, Michael Archer, Michael Corris, Susan Leopold

Issue edited by Ida Panicelli. Essays "Secret Vices: Manohla Dargis on Bad-Girl Boots," by Manohla Dargis; "Undertone: Ann Marlowe on Rap Hermeneutics," by Ann Marlowe; "Books: David Levi Strauss on 'Crack Wars,'" by David Levi Strauss; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Curies' Children: Villem Flusser on the Term 'Design,'" by Villem Flusser; "Sir Anthony Caro and His Critics," by Michael Corris; "Recasting the Canon: Norman Lewis and Jackson Pollock," by Ann Gibson; "Identikit," by Giulio Paolini with "Along the Edge," a text by Ida Panicelli; "Life After Humanism: A Project for Artforum," by Bojana Pejic; "YOUR. ... [details]

New York, NY: Artforum,
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out of stock
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objects: 4
1