September 1971 issue of Studio International, with a cover specially designed for this issue by Eugenio Carmi. Edited by Peter Townsend. Contents include: "The State of the Arts," by Lord Eccles; "Correspondence;" "News and Notes;" "Anatomy of an Anomaly," by Jonathan Benthall; "A Joseph Beuys Primer," by Georg Jappe; "Sculpture at Sonsbeek," by Carel Blotkamp; "Signals for the Imagination," by Eugenio Carmi; "A procedural proposition: selection, repetition, extension, exchange," by Michael Craig-Martin; "Ensor's 'Entry of Christ into Brussels,'" by Frank Whitford; "New Public Galleries: Tel Aviv, Belfast, project for Les Halles," by J. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J. ... [details]
November 1974 issue of Studio International with front and back covers designed for this issue by David Hockney. Edited by Peter Townsend. Contents include: "Naturalism/modernism: a future for figurative painting," by John Clark; "Consensus painting and the Royal Academy since 1945," by Andrew Brighton; "Peter Downsbrough: two pipes, two lines;" artwork for the page by Downsbrough; "Art education and success," by Clive Ashwin; "Beckett & others & art: a system," by Peter Cook; "Review;" "Book Supplement," reviews by Howard Daniel, Martin Green, Ronald Hunt, Victor Schonfield, Robin Spencer, Francis Strauven, John A. ... [details]
February 1974 issue of Studio International with cover specially designed for this issue by Robert Natkin. Edited by Peter Townsend. Contents include: "The Situation of the artist in Yugoslavia since 1945," by Cyril Barrett; "'Art-Language' at the Lisson Gallery," by Paul Wood; "Ivan Karp on Marcel Duchamp," an interview with Moira Roth; "Definition and theory of the current avant garde: materialist/structural film," by Peter Gidal; "Correspondence;" "Edvard Munch: scene, symbol and allegory," by Frank Whitford; "Profile," by Hans Haacke; "The Shape of Colour," by Patrick Heron; "Robert Ryman: unfinished 1 (materials)," by Barbara Reise; "Review. ... [details]
May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. ... [details]
"Belgian Issue" issue of Studio International with front and back covers designed by Marcel Broodthaers, with additional text by Broodthaers on page 114. Essays by Karl Geirlandt, Barbara Reise, Frank Whitford, André Balthazar, Jean-Pierre van Tieghem, Irmaline Lebeer, Phil Mertens, Francis Strauven, Michael Baudson, Yves Gevaert, Micheline van Lier. ... [details]
Exhibition catalogue published in conjunction with show held October 19 - November 11, 1979. Includes texts by Eduardo Paolozzi, Carl-Albrecht Haenlein, Wulf Herzogenrath, and Frank Whitford. Translated by J. ... [details]
Issue edited by Charles Harrison. Essays "Notes Towards Art Work," by Charles Harrison; "Technology and Art 11: Holography and Interference," by Jonathan Benthall; "Barnett Newman," by Barbara Reise; "Chartres and Jericho," by Barnett Newman; "Barnett Newman," by Donald Judd; "Art of the South Seas," by Barnett Newman; "Happenings in Prague," by Eugen Brikcius. ... [details]
January 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Pay at the turnstile;" "A Policy for the arts," by Lord Eccles talks to Edward Lucie-Smith; "Kokoschka's early work," a conversation between the artist and Wolfgang Fischer; "Correspondence;" "News and Notes;" "Leger's city, and Atget's," by Jonathan Benthall; "The Vienna Secession and its early relations with Great Britain," by Horst-Herbert Kossatz; "Ends and Beginnings: Viennese art at the turn of the century," by Frank Whitford; "Four sculptors (part 4): David Smith," by William Tucker; "Art on TV," by Charles Harrison; "Forces against object-based art," by Andrew Forge; and "New York commentary: Downtown, Uptown, all around the town," by Dore Ashton. ... [details]
March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner;" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. ... [details]