Exhibition catalogue published in conjunction with show held June 24 - August 19, 2016. Text by Adrienne Edwards featuring work by Terry Adkins, Jonathas de Andrade, Rasheed Araeen, Kevin Beasley, Sérgio de Camargo, Koji Enokura, Ellen Gallagher, Robert Irwin, Rashid Johnson, Sol LeWitt, Glenn Ligon, Laura Lima, Turiya Magadlela, Steve McQueen, Ulrike Müller, Oscar Murillo, Wangechi Mutu, Louise Nevelson, Lorraine O'Grady, Adam Pendleton, William Pope. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. ... [details]
A compendium of texts on and by Fred Wilson edited by Doro Globus. "An anthology of critical texts and interviews with the fascinating American conceptual artist Fred Wilson, who describes himself as of 'African, Native American, European and Amerindian' descent. ... [details]
"Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. ... [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]
Exhibition catalogue published in conjunction with show held October 12 - December 8, 2007. Essay by Joseph del Pesco. Artists include BGL, Conrad Bakker, Beth Campbell, Germaine Koh, Valerie Hegarty, Isola and Norzi, Chadwick Rantanen, Derek Sullivan and Anne Walsh. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]
![Seis Años : La Desmaterialización del Objeto Artístico de 1966 a 1972 [ Six Years : The Dematerialization of the Art Object from 1966 to 1972 ]](/objects/images/s5967.jpg "Seis Años : La Desmaterialización del Objeto Artístico de 1966 a 1972 [ Six Years : The Dematerialization of the Art Object from 1966 to 1972 ]")
Spanish language edition of an essential source book, "Six Years : The Dematerialization of the Art Object from 1966 to 1972," compiling the documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. ... [details]
Exhibition catalogue published in conjunction with show held October 26, 2001 - January 12, 2002. Traveled to Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, October 26, 2002 - January 7, 2003 ; Berkeley Art Museum and Pacific Film Archive, Berkeley, CA, January 22, 2003 - March 3, 2003 ; blaffer Gallery, The Art Museum, University of Houston, May 3 - August 3, 2003 ; Addison Gallery of American Art, Phillips Academy, Andover, MA, September 3 - November 8, 2003 ; Santa Monica Museum, December 5, 2003 - February 8, 2004 ; Studio Museum in Harlem, New York, April 28 - July 4, 2004 ; Chicago Cultural Center, Chicago, IL, July - September 2004. ... [details]
Issue number 122 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Todd Ayoung. Essays "Hows Angels Travel," by Todd Ayoung; "Iyali (Family)," by Fatimah Tuggar; "Frugality and the Urban," by May Joseph; "On Archives (A Fragment) by Brian Wallis; "Isis," by Fred Wilson; "Untitled (Hathor and Attendants)," by Fred Wilson; "Museum City," by Janet Koenig; "2nd Official Game," by Jun Ozaki; "Interface Passages," by Rainer Ganahl; "Place de La Chapelle," by Henry Du Moulin; "Transaction Profile," by Jim Costanzo; "Painting, Demography, and Global Communication," by Carsten Juhl; "Since '72," by Allison Smith; "Untitled (Excerpt from Paraiso en el Nuevo Mundo)," by Sergio Vega; "Toto, I Have a Feeling We're Not in Texas Anymore. ... [details]
