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Idea Art : A Critical Anthology
  • critical theory
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white
  • 18 x 11 cm.
  • 203 pp.
  • edition size unknown
  • unsigned and unnumbered

Idea Art : A Critical Anthology

[First Edition]

Gregory Battcock, Dore Ashton, Jonathan Benthall, Cheryl Bernstein, Jack Burnham, Joseph Kosuth, Lucy Lippard, Ursula Meyer, John Perreault, Arthur Rose, Harold Rosenberg, Seth Siegelaub, Lawrence Weiner, Daniel Buren, Mel Bochner, Sol LeWitt, Robert Hughes, Les Levine

Critical anthology of pivotal texts edited by Gregory Battcock. Essays "Monuments for Nowhere or Anywhere," by Dore Ashton; " "Art in the Service of the Left?," by Battcock; "The Relevance of Ecology," by Jonathan Benthall; "The Fake as More," by Cheryl Bernstein; "Problems of Criticism," by Jack Burnham; "Art After Philosopy, I and II," by Joseph Kosuth; "The Art Workers' Coalition," by Lucy Lippard; "The Eruption of Anti-Art," by Ursula Meyer; "It's Only Words," by John Perreault; "Four Interviews," Arthur Rose [Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner]; "Art and Words," by Harold Rosenberg; "On Exhibitions and the World at Large: A Conversation with Seth Siegelaub"; "Documentation in Conceptual Art," by Lawrence Weiner, Daniel Buren, Mel Bochner, and Sol LeWitt; "The Decline and Fall of the Avant-Garde," by Robert Hughes; and "Les Levine Replies," by Les Levine. ... [details]

New York, NY: E.P. Dutton,
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Studio International
  • periodical
  • pictorial wrappers
  • letterpress
  • glue bound
  • black-and-white & color
  • 30.5 x 24 cm.
  • 244 pp.
  • edition size unknown
  • unsigned and unnumbered

Studio International

Vol. 181, No. 932 (April 1971)

Seth Siegelaub, Robert [Bob] Projansky, Jeremy Rees, Jonathan Benthall, Peter Wollen, Andrew Higgens, John Elderfield, Raoul Hausmann, Peter Kuttner, Antoni Miralda, Dorothée Selz, Peter and Klara Hautmann, John Walker, Dore Ashton, Daniel Buren, Maurice Tuchman, John Latham

Special edition of Studio International featuring Seth Siegelaub and Robert [Bob] Projansky's "Artists' Reserved Rights Transfer and Sale Agreement" and essay by Siegelaub describing the Agreement's background and its application. ... [details]

London, United Kingdom: Studio International,
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Studio International
  • periodical
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 31 x 24 cm.
  • 222 pp.
  • edition size unknown
  • unsigned and unnumbered

Studio International

Vol. 180, No. 927 (November 1970)

Peter Townsend, Andrew Higgens, Norbert Lynton, Jonathan Benthall, Lucy R. Lippard, Carl Andre, Jeanne Siegel, John Elderfield, Donald Wall, Bryan Robertson, Charles Harrison, APG, Alan Bowness, Andrew Forge, Andrew Higgins, Timothy Hilton, Edward Lucie-Smith, Jeremy Maas, Joseph Masheck, Barbara Reise, Deborah Stott, William Townsend, Art Workers Coalition

Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. ... [details]

London, United Kingdom: Studio International,
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Studio International
  • periodical
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 30.6 x 24 cm.
  • 240 pp.
  • edition size unknown
  • unsigned and unnumbered

Studio International

Vol. 179, No. 922 (May 1970)

Charles Harrison, Alexander Liberman, Henryk Gotlib, Michael Moynihan, Buckminster Fuller, Jonathan Benthall, William Tucker, Hans-Jürgen Müller , Robert Kudielka, Gene Baro, Helene Winer, Gilbert & George, John Russell, Mark Haworth-Booth, Peter Fuller, Ian Dunlop, Fernand Léger, John Golding, Ronald Alley, Pablo Picasso, Robert Graham, Joan Miró, Martin Bloch, Donald Judd

Issue edited by Charles Harrison. Essays "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]

London, United Kingdom: Studio International,
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Studio International
  • periodical
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 30.7 x 24.1 cm.
  • 84 pp.
  • edition size unknown
  • unsigned and unnumbered

Studio International

Vol. 179, No. 919 (February 1970)

Charles Harrison, Barnett Newman, Alexander Liberman, Joseph Kosuth, Chris Whittaker, Mel Bochner, Roy Ascott, Richard Larter, Jonathan Benthall, Barbara Reise, Donald Judd, Dore Ashton, Peter Layton, Sarah Whitfield, Dennis Duerden, Frank Whitford, Eugen Brikcius

Issue edited by Charles Harrison. Essays "Notes Towards Art Work," by Charles Harrison; "Technology and Art 11: Holography and Interference," by Jonathan Benthall; "Barnett Newman," by Barbara Reise; "Chartres and Jericho," by Barnett Newman; "Barnett Newman," by Donald Judd; "Art of the South Seas," by Barnett Newman; "Happenings in Prague," by Eugen Brikcius. ... [details]

London, United KIngdom: Studio International,
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objects: 5
1