Special edition of Studio International featuring Seth Siegelaub and Robert [Bob] Projansky's "Artists' Reserved Rights Transfer and Sale Agreement" and essay by Siegelaub describing the Agreement's background and its application. ... [details]
Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. ... [details]
May 1970 issue of Studio International. Edited by Charles Harrison. Essays include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "Monuments for Nowhere or Anywhere," by Dore Ashton; " "Art in the Service of the Left?," by Battcock; "The Relevance of Ecology," by Jonathan Benthall; "The Fake as More," by Cheryl Bernstein; "Problems of Criticism," by Jack Burnham; "Art After Philosopy, I and II," by Joseph Kosuth; "The Art Workers' Coalition," by Lucy Lippard; "The Eruption of Anti-Art," by Ursula Meyer; "It's Only Words," by John Perreault; "Four Interviews," Arthur Rose [Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner]; "Art and Words," by Harold Rosenberg; "On Exhibitions and the World at Large: A Conversation with Seth Siegelaub"; "Documentation in Conceptual Art," by Lawrence Weiner, Daniel Buren, Mel Bochner, and Sol LeWitt; "The Decline and Fall of the Avant-Garde," by Robert Hughes; and "Les Levine Replies," by Les Levine. ... [details]
Issue edited by Charles Harrison. Essays "Notes Towards Art Work," by Charles Harrison; "Technology and Art 11: Holography and Interference," by Jonathan Benthall; "Barnett Newman," by Barbara Reise; "Chartres and Jericho," by Barnett Newman; "Barnett Newman," by Donald Judd; "Art of the South Seas," by Barnett Newman; "Happenings in Prague," by Eugen Brikcius. ... [details]
