Artists' publication / 'zine produced in conjunction with exhibition held at October - November 1990. Curated by Richard Phillips this publication takes the format of an "assembling" / 'zine featuring essays by Phillips and Joshua Decter ["Thrash Criticism"] and artists' projects by the exhibition participants.
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"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format.
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Exhibition catalogue published as an overview of shows held as part of White Columns' "White Room Program" exhibition series from 1993. Essay by executive director Bill Arning. Artists include Peter Seidler, Joel Holub, Melissa Gwyn Miller, Irene Hardwicke, Tom McGlynn, Cannon Hudson, Gary Dodson, M.
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