1982 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Did They Marry To Get on the Planet? Residents Fax," by Lynnette Taylor; "Breaking Ground Zero Rank and (De-) File (D)," by Irwin Irwin; "Schneeman, Inside Out," by Carey Lovelace; "Post Performancist Performance," by Carl E. ... [details]
1983 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Videotex Services," by Gregory McKenna; "Interactive Videodisc: Interview with Sandra Devlin, Interview with Mitchell Kriegman, Visions of Interactivity," by Gregory McKenna,"; "Publications" reviews by Irwin Irwin; "Music, Electronics: Diamanda Galas on Music and Performing," by Carl Heyward;" "Anonomanifesto," by Irwin Irwin; "Present Tense/Rites of Passage," by Michael Nash; "San Francisco Performance Art," by Irwin Irwin; "Disappearing into the Culture as a Frequency: Bytes from a Conversation," by Lynnette Taylor; "Toward a Criticism of Television Art," by Carl Loeffler; "Video Art Out to Lunch: Jaime Davidovich Interviews Les Brown," edited by Yvonne Stahr; "Four-Sided Fable: Bay Area Producers Stake Out Their Corner of the Video Market," by Eric Knorr; "Music Television Emerges," by Robin Reidy; "On the Tube in the Apple," by Patrice Thomson. [details]
1984 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Television Art;" "We Made Home TV," by Lynnette Taylor; "TV Art in New York;" photo essay by Jaime Davidovich; "Art That Gets 53 Miles Per Gallon: Ashley and Sanborn on Perfect Lives," by Mark Dery; "Sanborn and Winkler: The Making of Perfect Lives," by Lynnette Taylor: "Peter Gordon," interview with Mark Rubin; "Seven Templates: The Video Structure of Perfect Lives," by Lynnette Taylor; "Television Art and the Video Conference," by Carl E. ... [details]
