Issue edited by Philip Leider. Essays "Harnett, Peto and Haberle in La Jolla," by Alfred Frankenstein; "Twelve Chicago Artists at the Walker," by Whitney Halstead; "An Interview with Helen Frankenthaler," by Henry Geldzahler; "Tribute to Simon Rodia," by Alfred H. ... [details]
Issue edited by Philip Leider. Essays "Architecture, 1966," by John Jacobus; "An Interview with Jack Youngerman," by Barbara Rose; "Claes Oldenburg: Extracts from the Studio Notes"; "Edvard Munch," by Linda Nochlin; "Wallace Berman's Verifax Collages"; "Savid Smith at the L. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Peter Stroud," by John Coplans; "Joe Goode and the Common Object," by Philip Leider; "Matisse and the Strategy of Decoration," by Nancy Marmer; "Three Statements," by Ad Reinhardt; "The Happenings are Dead - Long Live the Happening," by Allan Kaprow; "The Inert and the Frenetic," by Max Kozloff. ... [details]
Issue edited by Philip Leider. Essays "Gemini LTD: A New Lithography Studio in Los Angeles," by Fidel A. Danieli; "A Central European Miscellany," by Edward F. Fry; " "Joseph Cornell," by Alexandra Cortesi; "Darby Bannard's New Work," by Rosalind Krauss; "Color, Paint and Present-Day Painting," by Darby Bannard; "Edward Kienholz's 'Barney's Beanery,'" by Sidney Tillim; "A Decade of Edward Kienholz," by Maurice Tuchman. ... [details]
Issue edited by Philip Leider. Essays "Philip Pearlstein and the New Philistinism," by Sidney Tillim; "Allusion and Illusion in Donald Judd," by Rosalind Krauss; "A Georgia O'Keeffe Retrospective in Texas," by Peter Plagens; "James Dine Designs Sets for 'A Midsummer Night's Dream,'" by David Zack; "New Forms in Architecture," by John Jacobus; "Looking at Kinetic Sculpture," by Philip Leider. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by Philip Leider. Essays "Evaluations and Re-Evaluations," by Sidney Tillim; "Soutine and the Problem of Expressionism," by Hilton Kramer; "Romantic Painting in England," by Jerrold Lanes; "The Shape of the Art Environment," by Allan Kaprow; "Richard Van Buren, David Novros, Charles Ross," by Emily Wasserman; "New Paintings by Larry Poons," by Kermit Champa; "Greg Card and Mary Corse," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "Scale and the Future of Modernism," by Sidney Tillim; "The Sculpture of Duchamp-Villon," by Albert Elsen; "The Constructivist Ethos, Part II," by Ronald Hunt; "Abstract Illusionism," by Barbara Rose; "Problems of Criticism II: Complaints of an Art Critic," by Clement Greenberg; "Sculpture in Canada," Harry Malcolmson; "A Note on the Canada Council," by David P. ... [details]
Issue edited by Philip Leider. Essays "Walker Evans: Photography as Representation," by Sidney Tillim; "Brancusi," by Sidney Geist; "Ronald Bladen's 'Black Triangle,'" by Lucy Lippard; "Jackson Pollock and the Modern Tradition, Part II,'" by William Rubin; "Medieval Manuscripts at Berkeley," by Palmer D. ... [details]
Issue edited by Philip Leider. Essays "Frank Stella's New Paintings," by Michael Fried; "David Smith at the Tate," by Max Kozloff; "Distillation," by E.C. Goossen; "Abstract Expressionism in Ceramics," by John Coplans; "'Systemic' Painting," by Robert Pincus-Witten; "The New Whitney: The Building," by Michael Brawne; "The New Whitney: The Show," by Barbara Rose; "'Eccentric Abstraction,'" by David Antin; "'Four' in L. ... [details]