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Group Show : Seth Siegelaub, Contemporary Art
  • exhibition catalogue
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white
  • 21.6 x 14 cm.
  • [8] pp.
  • edition size unknown
  • unsigned and unnumbered

Group Show : Seth Siegelaub, Contemporary Art

Vol. 1, No. 1 (September 1964)

Pierre Clerk, Michael Eastman, Alfred Michael Iarusso, Herbert Livesey, Denis McCarthy, Lawrence Weiner, Edward Whiteman

Exhibition catalogue published in conjunction with first exhibition held at Seth Siegelaub Contemporary Art, 16 West 56th Street, New York, September 14 - October 10, 1964. Includes single black-and-white image of a work by each of the exhibiting artists, including Pierre Clerk, Michael Eastman, Alfred Michael Iarusso, Herbert Livesey, Denis McCarthy, Lawrence Weiner, and Edward Whiteman. ... [details]

New York, NY: Seth Siegelaub,
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  • exhibition catalogue
  • boxed edition
  • ink jet printed
  • stitch bound
  • black-and-white & color
  • 23 x 14 cm.
  • [unpaginated]
  • edition size 100
  • unsigned and numbered

Annotations

[21 Volume Box Set]

Public-Holiday Project, Champion Fine Art, Rachel Foullon, Matt Keegan, Laura Kleger, Sara Greenberger, Adam Putnam, Alex Robbins, Halsey Rodman, Carter Mull, Michael Zahn, Rebecca Chamberlain, Christopher Chiappa, John Pilson, Jeroen Kooijmans, Guy Richards Smit, Michael Smith, William Wegman, Kelly Breslin, Meredith Danluck, Alice Könitz, Jeff Ono, Michelle Lopez, Kate Grinnan, Tom Texas Holmes, Slylar Haskard, Anna Sew Hoy, Joe Scanlan, Stephen Shore, Kelley Walker, Flora Wiegmann, Drew Heitzler, James Welling, Eric Wesley, Carey Young, Walead Beshty, Rose Kallal, Fia Backström, Michael Phelan, Jonah Freeman, Chuck Nanny, Adam McEwen, John Tremblay, Peter Coffin, Craig Kalpakjian, John Armleder, Cyprian Gaillard, Jan Groover, Kevin Landers, Olivier Mosset, Amy O'Neill, Kirsten Mosher, Jordan Wolfson, Samuel Casebolt, Candace Cole, Charles Goldman, Alix Lambert, Brian Bress, Jeff Burton, Corinna Schnitt, Monique van Genderen, Terra Fuller, Benjamin Butler, Suzanna Vapnek, Franklin Evans, Mari Eastman, Charles Irvin, Holly Coulis, Brian Belott, Bella Foster, Melissa Brown, Brendan Cass, Charlotta Westergren, Ellen Altfest, Tyson Reeder, Scott Reeder, Claudia Pena, Katherine Bernhardt, Nick Barna, Scott Cassidy, Tom Costa, Erik Frydenborg, Hannah Greely, Jesse Kamm, Kalup Donte Linzy, Shana Lutker, Avigail Moss, Stephen Rhodes, Joaquin Spengemann, Jonas Wood, Heather Cantrell, Rachel Corry, Drew Dominick, Ernest Gibson, Raffi Kalenderian, Shio Kusaka, Nate Lowman, Tony Matelli, Adrian Paules, Bert Rodriguez, Keith Vaughn, Matt Johnson, Jonas Nobel, Jessica Jackson Hutchins, Frederik Söderberg, Dan Torop, Roe Ethridge, Nina Andersson, Ron Jude, Kevin Landers, Aleksandra Mir, Andrew Rodgers, Chris Verene, Matt Ducklo, Huma Bhabha, Jennifer Sirey, Nancy Shaver, Susan Jennings, Jennifer Coates, David Shaw, Valetin Carron, Gardar Eide Einarsson, Fabrice Gygi, Alex Morrison, Mai-thu Perret, Aidas Bereikis, Bettina Funcke, Seth Price, Bill Saylor, Anke Weyer, Wendy White, Emily Sunblad, Josh Smith, Lizzie Bougatsos, Amy Granat, Elizabeth Valdez, Steven Parrino, Alex Kwartler, Macrae Semans, Molly Welch, Allyson Vieira, Jarrett Mellenbruch, Adam Raymont, Emily Miranda, Carol Bove, Christian Brown, Robert Medvedz, Jon Widman, Lorenzo de Los Angeles, Gordon Terry, Hisham Akira Bharoocha, Bjorn Copeland, Scott Wolniak, Andrew Jeffrey Wright, Reed Anderson, Larry Bamburg, Sylvie Fleury, Adam Frelin, Vincent Szarek

"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]

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Pier Walk '98
  • exhibition catalogue
  • wrappers
  • offset-printed
  • glue bound
  • color
  • 28 x 21.5 cm.
  • 215 pp.
  • edition size unknown
  • unsigned and unnumbered
Screw : The Sex Review
  • periodical
  • pictorial wrappers
  • offset-printed
  • loose leaves
  • black-and-white
  • 42 x 29 cm.
  • 28 pp.
  • edition size unknown
  • unsigned and unnumbered

Screw : The Sex Review

No. 44 (January 5, 1970)

Al Goldstein, Jim Buckley, M. Ojin, Dean Latimer, Michael Wilson, Lige and Jack, Hank Arlecchino, John Caldwell, Eric Eastman, Bob Amsel, John Thomas, Michael Perkins

Issue edited by Al Goldstein. Essays include "Mannequin Madness," by Dr. M. Ojin; "An Early Ode to Xmas," by Dean Latimer; "Pull-out Pinup," by Michael Wilson; "Homosexual Citizen : Fags of the Future, What's in Store for the 70's?" by Lige and Jack; "Rock 'n Raunch," by Hank Arlecchino; "When the Curtain Goes Up They Go Down"; comic by John Caldwell; "An Essay for Your Edification: CKUF in So Many Words," by Eric Eastman; "Dirty Diversions : They Fuck Mothers, Don't They?" by Al Goldstein; "Naked City," by Bob Amsel; comic by John Thomas; "Fuckbooks : Why the South Won the Civil War," by Michael Perkins. [details]

out of stock
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objects: 4
1