Artists to Artists : A Decade of the Space Program

Marie Walsh Sharpe, Jennifer Adams, Alice Albert, Bill Davenport, Rafael Fuchs, David Greenstein, Katia Gushue, Michiko Itatani, Pamela Keech, Paul Laffoley, Lim Choong Sup, Kathryn Myers, Jill O'Bryan, Blake Stimson, Terry Ray Thompson, Rosa Valado, Rhonda Zwillinger, Xenobia Bailey, Tom Burckhardt, Susanna Coffey, Peter Dudek, Garth Evans, Christopher Giglio, Edward M. Giordano, Marcello Im, Kathryn Myers, Brian Rutenberg, Mira Schor, Eve Susman, Barbara Takenaga, Danny Tisdale, Alzaruba, Ron Baron, Joseph Barron, Drew Beattie, Jim Blachly, Suzanne Bocanegra, Phyllis Bramson, Daniel Davidson, Han Zin, Julia Jacquette, Sungjoon Joh, Nicholas James Juett, Estella Lackey, Lorraine O'Grady, Jack Risley, Angel Rodríguez-Diaz, Christine Schiavo, Slobodan Trajkovic, Kirsten Ator, David B. Brody, Joan Giroux, John Hultberg, Yu Ji, K.K. Kozik, Marlen Lugo, Anne McDonald, Alison Moritsugu, Judith Raphael, Michael Richards, Kevin Blythe Sampson, Arthur Simms, Stephen Spretnjak, JoAnn Verburg, Alan Wiener, Olive Ayhens, Luca Buvoli, Dana Carlson, Nancy Diamond, Douglas Dibble, Barbara Gallucci, Stefan Gesek, Elliott Green, Glen Holland, Sharon Horvath, Kathryn Lynch, Lauren Szold, Denyse Thomasos, Cindy Tower, Nancy Van Deren, Susan Whyne, Barbara Andrus, Sandra DeSando, Tim Doud, Carl Fudge, Matthew Harle, Brad Kahlhamer, Heidi Kumao, Portia Munson, Emily Ripley, Glen Seator, James Sheehan, Sally Tittman, Carol Wax, Karen Yasinsky, Jennie Booth, Tari Campbell, Janet Cooling, Teresita Fernández, Stephen Hendee, Arturo Herrera, Kristin Lucas, Max-Carlos Martinez, Josiah McElheny, Ben Pranger, Jennipher Satterly, Sarah Sze, Megan Walch, Tad Wiley, William Wood, Isidro Blasco, Michele Brody, Christopher Broughton, Roger Campbell, Elizabeth Cooper, Jennifer Dubnau, Matvey Levenstein, M.D. Macek, Kathy Rose, Michael Smith, David Wells, Su-en Wong, Karen Yama, Jennifer Bornstein, Claire Corey, Marsha Cottrell, Phyllis Goldberg, James Huang, Jessica Jackson Hutchins, Drew Lowenstein, Martin Mazorra, Sharon Molloy, Larry Mullins, Eleanor Pyle, Al Souza, Amy Yoes, Nina Bovasso, Jane K. Creech, Katherine Daniels, Nuno de Campos, Tara Donovan, Linda Herritt, Julia Kunin, Tracy Miller, Sarah Oppenheimer, Mick O'Shea, Andrew K. Sonpon, Dannielle Tegeder, Khanh Vo, Suzanne Walters, Terry Boddie, Lee Boroson, Heidi Brant, Jessica Dickinson, Anna Sew Hoy, Heidi Johnson, Phyllis Joyner, Ellie Lee, Jeannette Louie, Nava Lubelski, Nobuho Nagasawa, Jinnie Seo, Lawrence Seward, Gordon Voisey

Exhibition catalogue published in conjunction with show held by The Marie Walsh Sharpe Art Foundation at Ace Gallery in New York, May 17 to June 1, 2002. Artists in the catalogue include Foundation, Jennifer Adams, Alice Albert, Bill Davenport, Rafael Fuchs, David Greenstein, Katia Gushue, Michiko Itatani, Pamela Keech, Paul Laffoley, Lim Choong Sup, Kathryn Myers, Jill O'Bryan, Blake Stimson, Terry Ray Thompson, Rosa Valado, Rhonda Zwillinger, Xenobia Bailey, Tom Burckhardt, Susanna Coffey, Peter Dudek, Garth Evans, Christopher Giglio, Edward M. ... [details]

Flue

Double Issue : Sex, Performance, and The 80's / L.A. London Catalog / Vol. 2, No. 3

Franklin Furnace, The Flue, Martha Wilson, Linda Montano, Vanalyne Green, Linda Burnham, Micki McGee, Melvyn Freilicher, Barbara Baracks, Benita Adams, Stan Kaplan, Joan Giannecchini, Susan Mogul, George Sand, Richard Zigun, Cecilia Vicuna, Sandy De Sando, Barbara Quinn, Rose English, Rose Finn-Kelcey, Tina Keane, Sonia Knox, Hannah O'Shea, Sally Potter, Carlyle Reedy, Georgia Born, Lindsay Cooper, Feminist Art Workers, Cheri Gaulke, Leslie Labowitz, Linda Nishio, Martha Rosler, Nina Sobel, Nancy Buchanan, Barbara Smith, Susan Hiller, Suzanne Lacy, Tony Whitfield, Lisa Liebmann, Aria Natale Starus

Double / "flip" issue of the socio-political publication, The Flue, published by avant-garde arts organization, Franklin Furnace. "Franklin Furnace's mission is to present, preserve, interpret, proselytize and advocate on behalf of avant-garde art, especially forms that may be vulnerable due to institutional neglect, their ephemeral nature, or politically unpopular content. ... [details]