"Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N. ... [details]
Exhibition catalogue published in conjunction with show held November 14 - December 21, 1980. Text by Lucy Lippard and Margaret Harrison. Publication incorporates artists' projects by Suzanne Lacy, Leslie Labowitz, Nicole Croiset, Nil Yalter, Sue Richardson, Monica Ross, Kate Walker, Margaret Harrison, Candace Hill-Montgomery, Jenny Holzer, Alexis Hunter, Maria Karras, Mary Kelly, Margia Kramer, Loraine Leeson, Beverly Naidus, Adrian Piper, Martha Rosler, Miriam Sharon, Bonnie Sherk (the Farm), Nancy Spero, May Stevens, Mierle Laderman Ukeles, and Marie Yates. ... [details]
Gatefold exhibition brochure published in conjunction with show held May 19 - June 23, 1989. Curated and with a text by Robert C. Morgan. Artists included Carl Andre, Art & Language, Vagrich Bakhchanyan, John Baldessari, Robert Barry, Joseph Beuys, Dara Birnbaum, Sarah Charlesworth, Jan Dibbets, Peter Downsbrough, Dan Graham, Nancy Holt, Douglas Huebler, Komar & Melamid, Joseph Kosuth, Allan Kaprow, Sol LeWitt, Ed Ruscha, Michael Snow, Mierle Laderman Ukeles, Lawrence Weiner and Ian Wilson. [details]
Periodical on political art. UPFRONT committee included Keith Christensen, Elizabeth Kulas, Lucy R. Lippard, and Irving Wexler. Essays: "From the Ground Up: Cultural Democracy as a National Movement," by Don Adams and Arlene Goldbard; "Artists Working with Unions: Union Made," a panel discussion featuring Tony Gillotte, Howard Saunders, Carla Katz, Fred Lonidier, Carole Condé, Karl Beveridge, and Mierle Laderman Ukeles; "This is a Political Document: A Description of the Making of a Work of Art," by Charles Frederick; "Night and Day: Womens' Encampment for a Future of Peace and Justice, Seneca Army Depot, New York, July 4 - Sept. ... [details]
"Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her ''numbers shows.'' Each took the population of the city in which it was shown as its title: [details]
Exhibition catalogue published in conjunction with show held September 13 - October 20, 2002. curated by Ingrid Schaffner, contributions by Catherine Morris, Dara Birnbaum, Lauren Ross, Anna Chave, Laura Cottingham, Jill Fields, Lucy R. ... [details]
Large-scale collection of essays edited by Alexander Alberro, Blake Stimson. Includes texts by Alberro, Stimson, Eduardo Costa, Raúl Escari, Roberto Jacoby, Christine Kozlov, Hélio Oiticica, Sol LeWitt, Sigmund Bode, Mel Bochner, Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni, Michel Claura, Michael Baldwin, Adrian Piper, Lucy R. ... [details]
Spring issues II & III, of the quarterly publication. Edited by Madeleine Burnside and Andrew Kelly, these issues feature works by Burnside, Kelly, Martha Haslanger, Sherril Jaffe, Mierle Laderman Ukeles, Lawrence Weiner, and Robert Wilson. ... [details]
A quarterly feminist publication on art and politics. Issued edited by the Great Goddess Collective Members: Martha Alsup, Tracy Boyd, Janet Culbertson, Mary Beth Edelson, Deborah Freedman, Donna Henes, Anne Healy, Buffie Johnson, Grace Shinell, Merlin Stone, Carolee Thea, Mierle Laderman Ukeles, Mary Albanese, Rosemary Dudley, Gail Feinstein, Gina Foglia, Diane Levin, and Susan Turner. ... [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]