April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
Summer 1987 issue of October, edited by Joan Copjec, Douglas Crimp, Rosalind Krauss and Annette Michelson. Contents include: "Jeremy Bentham's Panoptic Device," by Jacques-Alain Miller; "Postmodern History at the Musée d'Orsay," by Patricia Mainardi; "Learn to Read, She Said," by Ann Smock; "Ramble City: Postmodernism and Blade Runner," by Guiliana Bruno; "An Interview with Steve Fagin," by Peter Wollen; and "Gramophone, Film, Typewriter," by Friedrich Kittler. [details]
Exhibition catalogue published in conjunction with show held at The New Museum of Contemporary Art, New York, December 8 - February 10, 1985 with Feature and Short films shown at Joseph Papps Public Theatre, January 25 - February 3, 1985. ... [details]
Compendium of essays on the politics of visual representation. Edited by Lynne Cooke and Peter Wollen. Introduction by Peter Wollen. Texts by Edward Ball, Stephen Bann, Susan Buck-Morss, Scott Bukatman, Lisa Cartwright, Ludmilla Jordanova, Jean-Hubert Martin, Ann Reynolds, Ralph Rugoff, Eric Santner, Susan Stewart, and Marina Warner. ... [details]
Exhibition catalogue published in conjunction with show held at the Musee National D'Art Moderne, Centre Georges Pompidou, Paris, February 21 - April 9, 1989. Traveled to Institute of Contemporary Arts, London, June 23 -August 13, 1989; and the Institute of Contemporary Art, Boston, October 20, 1989 - January 7, 1990. ... [details]
"Presenting an unprecedented range of material, Global Conceptualism : Points of Origin, 1950s - 1980s challenges the canonical perception that conceptual art was simply one movement which spread internationally and acknowledges the important local circumstances which gave birth to conceptualist art in regions around the world. ... [details]
Exhibition catalogue published in conjunction with show titled "On the Passage of a Few People Through a Brief Period of Time" held at the Musee National d'art Moderne Centre Georges Pompidou/ICA, London/ICA, Boston : 1989-1990. ... [details]
Exhibition catalogue published in conjunction with show held at the Fruitmarket Gallery, Edinburgh, August 10 - September 21, 1985. Traveled to the Museum of Modern Art, Oxford, October 6 - December 1, 1985. ... [details]
Volume Two, 1971-1982, of the seven volume catalogue raisonné of the paintings of Ed Ruscha. Edited by Robert Dean, associate editor Erin Wright. Essays by Reyner Banham and Peter Wollen. Includes a reprint if the original typescript of The information man by ruscha. ... [details]
Summer 1966 issue of Form, a quarterly magazine of the arts. Edited by Philip Steadman, Mike Weaver, and Stephen Bann. Artists, writers, and other figures in the issue include Milan Dobes, Jan Slavik, Peter Wollen, Simon Cutts, Abraham A. ... [details]
