Exhibition catalogue in two volumes for show held at the Museum of Fine Arts, Boston, Massachusetts, 1971. First book includes an essay by David Antin, and biographies of the artists in the exhibition, as well as a selected bibliography. ... [details]
Catalogue / prospectus for a portfolio of four screenprints by Jean-Michel Basquiat printed posthumously by Brand X Editions in New York from May to October, 2001, published by DeSanctis Carr Fine Art, Los Angeles. ... [details]
Franklin Furnace calendar of exhibitions and readings for September - December, [1976]. Organized by Martha Wilson, artists and writers participating in the fall/winter events included Nancy Kitchell, Rosemary Mayer, Bernadette Mayer, Henry Korn, Richard Kostelanetz, Judy Rifka, Barbara Kruger, Athena Tacha, Les Levine, Lee Breuer, Carolee Schneemann, Vito Acconci, Ralston Farina, Carl Andre, Kathy Acker, Diego Cortez, Karen Eubel, Barbara Hero, Agnes Denes, Alan Sondheim, Roy Colmer, and George Griffin. [details]
Exhibition catalogue published in conjunction with show held December 17, 1968 - February 9, 1969. Artists included in the exhibition are Peter Agostini, Calvin Albert, Peter Alexander, John Anderson, Stephen Antonakos, Richard Artschwager, Jerry Ballaine, Robert Bart, Leonard Baskin, Mary Bauermeister, Bennett Bean, John Bennett, Fletcher Benton, Tony Berlant, Ben Berns, Michael Bigger, Ronald Bladen, Varujan Boghosian, Lee Bontecou, Louise Bourgeois, Alexander Calder, Kennetth Campbell, John Chamberlain, Chryssa, Mike Cooper, Tony Delap, Walter De Maria, Deborah de Moulpied, Jose de Rivera, Mark di Suvero, Tom Doyle, Robert Engman, Peter Erskine, Herbert Ferber, Frank Gallo, William Geis III, Cristos Gianakos, John Goodyear, Robert Graham, Nancy Grossman, Robert Grosvenor, Roy Gussow, Peter Gutkin, Michael Hall, Duayne Hatchett, Alex Hay, Michael Heizer, Eva Hesse, Will Horwitt, Robert Howard, Robert Hudson, Richard Hunt, James Huntington, Daniel Larue Johnson, Donald Judd, Craig Kauffman, Ellsworth Kelly, William King, Robert Kinmont, Lyman Kipp, Gabriel Kohn, Joseph Konzal, Rockne Krebs, Gary Kuehn, Gerald Laing, Leroy Lamis, Stanley Landsman, Michael Lekakis, Joseph Levi, Les Levine, Alexander Liberman, Roy Lichtenstein, Seymour Lipton, Jim Love, Bix Lye, Sheldon Machlin, Robert Mallary, John McCracken, Ed McGowin, Walter McNamara, Clement Meadmore, James Melchert, Robert Morris, Robert Murray, Louise Nevelson, Barnett Newman, Minoru Niizuma, Claes Oldenburg, Dennis Oppenheim, Alfonso Ossorio, Harold Paris, Kenneth Price, Leo Rabkin, Carlos Ramos, James Reineking, Sam Richardson, Robert Richenburg, George Rickey, Larry Rivers, Henry Rollins, James Rosati, Bernard Rosenthal, Charles Ross, Theodore Roszak, Lucas Samaras, Fred Sandback, Alan Saret, Julius Schmidt, Roy Schnackenberg, George Segal, Jason Seley, William Sellers, Richard Serra, Robert Smithson, Kenneth Snelson, Sylvia Stone, Edvins Strautmanis, George Sugarman, Wayne Taylor, Julius Tobias, Michael Todd, Ernest Trova, Anne Truitt, William Tunberg, Dewain Valentine, Richard van Buren, Frank Lincoln Viner, Ruth Vollmer, David von Schlegell, David Weinrib, Tom Wesselmann, H. ... [details]
"This book Inaugurates Artadia's Biennial Publications Program and features a complete two-year awards cycle through all five Artadia program cities during 2008 and 2009." -- publisher's statement. Texts by Franklin Sirmans, Andrea Barnwell Brownlee, Jen Mergel, Stephanie Smith, Michelle White and René de Guzman. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Greil Marcus on Captain Beefheart," by Greil Marcus; "Books: Terry Eagleton on François Dosse's 'Deleuze & Guattari,'" by Terry Eagleton; "Books: Joachim Pissarro and David Carrier on Thomas Kinkade," by Joachim Pissarro; "Film: James Quandt on Michelangelo Frammartino's 'Le Quattro Volte," by James Quandt; "Film: Melissa Anderson on Clio Barnard's 'The Arbor,'" by Melissa Anderson; "Film: Tim Griffin on Werner Herzog's 'Cave of Forgotten Dreams,'" by Tim Griffin; "On Site: Alan Licht on Sue de Beer's 'The Ghosts,'" by Alan Licht; "On Site: Nathan Dunne on the Sergei Paradjanov Museum," by Nathan Dunne; "Top Ten," by Christian von Borries; "Close-Up: A RRose in Berlin," Hal Foster on Marcel Duichamp's "Belle Haleine"; "To Be Determined: An Interview with John Armleder," by Fabrice Stroun; "Circling the Square: Archictecture and Revolution in Cairo," by Nasser Rabbat; "1000 Words: Robert Whitman," by Liz Kotz; "A Revolution in Film: The Cinema of Dziga Vertov," by John Mackay; "Openings: Jan Timme," by André Rottmann. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Paul Griffiths on Milton Babbitt," by Paul Griffiths; "Music: Cory Arcangel on Euro-Trance," by Cory Arcangel; "Slant: Okwui Enwezor on Ai Weiwei and Sharjah Biennial 10," by Okwui Enwezor; "Slant: Carol Armstrong on Paul Cézanne," by Carol Armstrong; "News: Catherine Wood on the Manchester International Festival," by Catherine Wood; "Film: Amy Taubin on Cristi Puiu's 'Aurora,'" by Amy Taubin; "Film: Steven Watson on Wynn Chamberlain's 'Brand X,'" by Steven Watson; "Archictecture: Owen Hatherley on Renzo Piano's Shard," by Owen Hatherley; "Top Ten," by Leilah Weinraub; "Acting Out: The Ab-Ex Effect," Introduction, Michelle Kuo; "Spatter and Daub: The Contradictions of Abstract Expressionism," by Harry Cooper; "Ab-Ex and Disco Balls: In Defense of Abstract Expressionism II," by Amy Sillman; "Close-Up: Carroll Dunham on William Baziote's 'Dwarf,'" by Carroll Dunham; "Depth Charge: Terry Winters talks with John Elderfield about Willem de Kooning"; "Close-Up: Jordan Kantor on Albert Oehlen's 'Fingermalerei,'" by Jordan Kantor; "Landmarks Preservation: Conserving the Monochrome," by Carol Mancusi-Ungaro; "Close-Up: Ann Temkin on Cy Twombly's 'Academy,'" by Ann Temkin; "Emptied Gesture: Roy Lichtenstein's 'Brushstrokes,'" by Graham Bader; "Close-Up: Molly Warnock on Georges Mathieu's 'Battle of the Bouvines,'" by Molly Warnock; "Signal Processing: Abstraction Then and Now," by David Joselit; "Close-Up: Mark Godfrey on Christopher Wool's New Work," by Mark Godfrey; "Eyes in the Heat: Jean Dubuffet, Cathy Wilkes, and Josh Smith," by Daniel Marcus; "Artists on Ab-Ex," by Rodney Graham, El Arakawa, Richard Prince, Jennifer West, Richard Jackson, Katharina Grosse, Jon Pestoni, Liang Yuanwei, Jacqueline Humphries, Katy Moran, Scott Lyall, Julian Schnabel, Lesley Vance, Nicole Eisenman; "Playing the Field: Computational Architecture and Abstract Painting," by Sean Keller; "1000 Words: Heimo Zobernig," by Achim Hochdörfer; "Openings: Matheus Rocha Pitta," by Irene V. ... [details]
Issue edited by Michelle Kuo. Essays "Books: Craig Clunas on Gao Minglu's 'Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art,'" by Craig Clunas; "Film: James Quandt on Raúl Ruiz's 'Mysteries of Lisbon,'" by James Quandt; "Slant: David Joselit on Nicolás Guagnini's 'The Panel Discussion, the Tennis Match, and a Bodegón,'" by David Joselit; "Slant: J. ... [details]
Issue edited by Michelle Kuo. Essays "Books: Eric L. Santner on Giorgio Agamben's 'The Kingdom and the Glory,'" by Eric L. Santner; "Film: P. Adams Sitney on Jerome Hiler's 'Words of Mercury,'" by P. ... [details]