Exhibition catalogue for traveling show published in conjunction with show held at the Guggenheim Museum, August 1972. Traveled to the Albright-Knox Art Gallery, Buffalo; Museum of Contemporary Art, Chicago; Contemporary Art Museum, Houston; and Pasadena Art Museum, Pasadena. ... [details]
Critical study on the influence of Duchamp upon the West Coast art world. Introduction by Bonnie Clearwater, texts by Naomi Sawelson-Gorse, Dickram Tashjian, Walter Hopps, Robert L. Pincus, and John Campbell. ... [details]
Issue edited by Philip Leider. Essays "Architecture, 1966," by John Jacobus; "An Interview with Jack Youngerman," by Barbara Rose; "Claes Oldenburg: Extracts from the Studio Notes"; "Edvard Munch," by Linda Nochlin; "Wallace Berman's Verifax Collages"; "Savid Smith at the L. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Peter Stroud," by John Coplans; "Joe Goode and the Common Object," by Philip Leider; "Matisse and the Strategy of Decoration," by Nancy Marmer; "Three Statements," by Ad Reinhardt; "The Happenings are Dead - Long Live the Happening," by Allan Kaprow; "The Inert and the Frenetic," by Max Kozloff. ... [details]
Issue edited by Philip Leider. Essays "Gemini LTD: A New Lithography Studio in Los Angeles," by Fidel A. Danieli; "A Central European Miscellany," by Edward F. Fry; " "Joseph Cornell," by Alexandra Cortesi; "Darby Bannard's New Work," by Rosalind Krauss; "Color, Paint and Present-Day Painting," by Darby Bannard; "Edward Kienholz's 'Barney's Beanery,'" by Sidney Tillim; "A Decade of Edward Kienholz," by Maurice Tuchman. ... [details]
Issue edited by Philip Leider. Essays "Philip Pearlstein and the New Philistinism," by Sidney Tillim; "Allusion and Illusion in Donald Judd," by Rosalind Krauss; "A Georgia O'Keeffe Retrospective in Texas," by Peter Plagens; "James Dine Designs Sets for 'A Midsummer Night's Dream,'" by David Zack; "New Forms in Architecture," by John Jacobus; "Looking at Kinetic Sculpture," by Philip Leider. ... [details]
Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
"This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman’s radical painting has fundamentally shifted the definitions and boundaries of art. ... [details]
Critical theory documenting the years 1966 - 1976, written by Robert Pincus-Witten. Artists include Richard Serra, Keith Sonnier, Eva Hesse, Richard Tuttle, Bruce Nauman, Mel Bochner, Sol LeWitt, Barry Le Va, Jackie Ferrara, Vito Acconci, Lynda Benglis, James Collins and Scott Burton. ... [details]
Compendium of profiles on artists Julian Schnabel, David Salle, Robert Longo, Gary Stephan, Eric Fischl, Siah Amarjani, Ross Bleckner, Mel Bochner, Sol LeWitt, Joel Shapiro, Scott Burton, Benni Efrat, Lucio Pozzi, Jackie Winsor and Michael Hurson. ... [details]