Circa 1968

Vicente Todolí, João Fernandes, Miguel Wandschneider, Germano Celant, Robert Pincus-Witten, Antje von Graevenitz, Marita Sturken, Maria José Fazenda, Helena Almeida, Armando Alves, Giovanni Anselmo, António Areal, Richard Artschwager, John Baldessari, Manuel Baptista, Georg Baselitz, Eduardo Batarda, Lothar Baumgarten, Bernd & Hilla Becher, René Bertholo, Joseph Beuys, Mel Bochner, Christian Boltanski, Joaquim Bravo, Marcel Broodthaers, James Lee Byars, Fernando Calhau, Alberto Carneiro, Zulmiro de Carvalho, Manuel Casimiro, Lourdes Castro, António Charrua, Lygia Clark, Noronha Da Costa, José Escada, Öyvind Fahlström, Hans-Peter Feldmann, Robert Filliou, Robert Frank, Hamish Fulton, Gilbert & George, Imi Giese, Luis Gordillo, Dan Graham, José de Guimarães, Hans Haacke, Richard Hamilton, Ana Hartherly, Eva Hesse, Peter Hutchinson, Jörg Immendorff, António Manuel, Jorge Martins, Gordon Matta-Clark, Cildo Meireles, Mario Merz, Robert Morris, Ree Morton, Antonio Muntadas, Bruce Nauman, Rolando Sá Nogueira, Maria Nordman, Hélio Oiticica, Claes Oldenburg, Dennis Oppenheim, Blinky Palermo, António Palolo, Lygia Pape, A.R. Penck [Ralf Winkler], Jorge Pinheiro, Adrian Piper, Michelangelo Pistoletto, Sigmar Polke, Júlio Pomar, Vítor Pomar, Robert Rauschenberg, Paula Rego, Gerhard Richter, José Rodrigues, Joaquim Rodrigo, James Rosenquist, Dieter Roth, Susan Rothenberg, Edward Ruscha, Reiner Ruthenbeck, Julião Sarmento, António Sena, Richard Serra, Joel Shapiro, Nikias Skapinakis, Robert Smithson, Keith Sonnier, Ângelo de Sousa, Salette Tavares, Paul Thek, Francesc Torres, Richard Tuttle, Ana Vieíra, João Vieira, Pires Vieira, Andy Warhol, Lawrence Weiner, Gilberto Zorio, Vito Acconci, Eleanor Antin, David Askevold, Artur Barrio, Lynda Benglis, Chris Burden, Peter Campus, Merce Cunningham, Juan Downey, Valie Export, Hermine Freed, Anna Bella Geiger, Mako Idemitsu, Joan Jonas, Shigeko Kubota, David Lamelas, Paul McCarthy, Ana Mendieta, Susan Mogul, Nam June Paik, Charlemagne Palestine, Yvonne Rainer, Ulrike Rosenbach, Martha Rosler, Miralda Rossell, Gerry Schum, Paul Sharits, Michael Snow, T.R. Uthco, William Wegman, Hannah Wilke

Large-scale exhibition catalogue published in conjunction with show held June 6 - August 29, 1999. Essays by Vicente Todolí, João Fernandes, Miguel Wandschneider, Germano Celant, Robert Pincus-Witten, Antje von Graevenitz, Marita Sturken, Maria José Fazenda. ... [details]

Eva Hesse : A Memorial Exhibition

[First Edition]

Eva Hesse, Robert Pincus-Witten, Linda Shearer

Exhibition catalogue for traveling show published in conjunction with show held at the Guggenheim Museum, August 1972. Traveled to the Albright-Knox Art Gallery, Buffalo; Museum of Contemporary Art, Chicago; Contemporary Art Museum, Houston; and Pasadena Art Museum, Pasadena. ... [details]

West Coast Duchamp

[Hardback]

Marcel Duchamp, Bonnie Clearwater, Francis M. Naumann, Naomi Sawelson-Gorse, Dickran Tashijan, Walter Hopps, Robert L. Pincus

Critical study on the influence of Duchamp upon the West Coast art world. Introduction by Bonnie Clearwater, texts by Naomi Sawelson-Gorse, Dickram Tashjian, Walter Hopps, Robert L. Pincus, and John Campbell. ... [details]

Artforum

Vol. 4, No. 5 (January 1966)

Philip Leider, John Jacobus, Jack Youngerman, Barbara Rose, Linda Nochlin, Nancy Marmer, Don Factor, Estelle Kurzen, Curt Opliger, Irving S. Petlin, Susan R. Snyder, Charleen Steen, William Wilson, Harriette Von Breton, Marilyn Hagberg, Robert Pincus-Witten, Dennis Adrian, Margery Mann, Wallace Berman, Edward Ruscha

Issue edited by Philip Leider. Essays "Architecture, 1966," by John Jacobus; "An Interview with Jack Youngerman," by Barbara Rose; "Claes Oldenburg: Extracts from the Studio Notes"; "Edvard Munch," by Linda Nochlin; "Wallace Berman's Verifax Collages"; "Savid Smith at the L. ... [details]

Artforum

Vol. 4, No. 7 (March 1966)

Philip Leider, Peter Stroud, John Coplans, Nancy Marmer, Ad Reinhardt, Allan Kaprow, Max Kozloff, Robert Pincus-Witten, Dennis Adrian, James Monte, Whitney Halstead, Nicolai Cikovsky, Margery Mann, Henri Matisse, Edward Ruscha

Issue edited by Philip Leider. Essays "An Interview with Peter Stroud," by John Coplans; "Joe Goode and the Common Object," by Philip Leider; "Matisse and the Strategy of Decoration," by Nancy Marmer; "Three Statements," by Ad Reinhardt; "The Happenings are Dead - Long Live the Happening," by Allan Kaprow; "The Inert and the Frenetic," by Max Kozloff. ... [details]

Artforum

Vol. 4, No. 8 (April 1966)

Philip Leider, Fidel A. Danieli, Edward F. Fry, Alexandra Cortesi, Rosalind Krauss, Darby Bannard, Sidney Tillim, Maurice Tuchman, Fidel A. Danieli, Don Factor, Estelle Kurzen, Peter Plagens, Susan R. Snyder, Charlene Steen, Rosalind Krauss, Dennis Adrian, Robert Pincus-Witten, James Monte, Elizabeth M. Polley, Edmund G. Burger, Patricia Coplans, Marilyn Hagberg, Margery Mann, Edward Ruscha, Joseph Cornell

Issue edited by Philip Leider. Essays "Gemini LTD: A New Lithography Studio in Los Angeles," by Fidel A. Danieli; "A Central European Miscellany," by Edward F. Fry; " "Joseph Cornell," by Alexandra Cortesi; "Darby Bannard's New Work," by Rosalind Krauss; "Color, Paint and Present-Day Painting," by Darby Bannard; "Edward Kienholz's 'Barney's Beanery,'" by Sidney Tillim; "A Decade of Edward Kienholz," by Maurice Tuchman. ... [details]

Artforum

Vol. 4, No. 9 (May 1966)

Philip Leider, Sidney Tillim, Rosalind Krauss, Peter Plagens, David Zack, John Jacobus, Rosalind Krauss, Dennis Adrian, Robert Pincus-Witten, James Monte, Arnold Gassan, Margery Mann, Douglas Kent Hall, Georgia O'Keefe, Edward Ruscha

Issue edited by Philip Leider. Essays "Philip Pearlstein and the New Philistinism," by Sidney Tillim; "Allusion and Illusion in Donald Judd," by Rosalind Krauss; "A Georgia O'Keeffe Retrospective in Texas," by Peter Plagens; "James Dine Designs Sets for 'A Midsummer Night's Dream,'" by David Zack; "New Forms in Architecture," by John Jacobus; "Looking at Kinetic Sculpture," by Philip Leider. ... [details]

Artforum

Vol. 11, No. 2 (October 1973)

John Coplans, Robert Joseph Horvitz, Lucy Lippard, Robert Pincus-Witten, Robert Smithson, Moira Roth, William Hauptman, James Collins, Douglas Davis, Annette Michelson, Sidney Geist, Adrian Piper, Peter Plagens, Lizzie Borden, Bruce Boice, John Baldessari

Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]

Robert Ryman : Critical Texts Since 1967

Robert Ryman, Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, John Yau

"This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman’s radical painting has fundamentally shifted the definitions and boundaries of art. ... [details]