May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. ... [details]
Exhibition catalogue published in conjunction with show held [June 6 - 24], 1960. Foreword by Martha Jackson. Texts "Junk Culture as Tradition" by Lawrence Alloway, and "Some Observations on Contemporary Art" by Allan Kaprow. ... [details]
![MARCH 1969 [aka : One Month]](/objects/images/s23314.jpg "MARCH 1969 [aka : One Month]")
Exhibition catalogue for exhibition that did not take place outside the printed catalogue. I.E. a purely conceptual exhibition. Each artist was provided with a single page within the catalogue, representing a single day in the month of March 1969. ... [details]
Fall 1994 themed issue of October dedicated to the work of Marcel Duchamp. Edited by Mignon Nixon. Contents include: "Introduction" by Benjamin H.D. Buchloh; "What's Neo about the Neo-Avant-Garde?" by Hal Foster; "Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris" by Benjamin H. ... [details]
An impressive book in which Seth Siegelaub reconnects with artists he engaged with in the late 1960s within the exhibition March 1969 as well as within the exhibitions Op Losse Schroeven, Live in Your Head, When Attitudes Become Form, Konzeption Conception, and Prospekt 69. ... [details]
Monograph of the work of Peter Hujar published by Scalo in collaboration with show presented at Stedelijk Museum, Amsterdam, Netherlands, [ ] - [ ], 1994, and Fotomuseum Winterthur, Winterthur, Switzerland, September 3 - October 29, 1994. ... [details]
Issue edited by Liza Béar. Essays "Robin Winter: 'Fairly Regular Hours,'" interview between Robin Winters and Willoughby Sharp; "Robert Wilson and Christopher Knowles: 'Because Why,'" a stereo dialogue with Willoughby Sharp and Liza Béar; "Alexis Smith: Anteroom (Anti-Room)," by Alexis Smith; "Rita Myers: '. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Exhibition catalogue published in conjunction with show held April 10 - August 25, 1970. Organized and catalogue compiled by Donald Karshan. Incorporates statements by conceptual artists in the show including Joseph Kosuth, Frederick Barthelme, On Kawara, Christine Kozlov, Terry Atkinson, Michael Baldwin, David Bainbridge, Harold Hurrell, Ian Burn, Roger Cutforth, Meld Ramsden, Bruce Nauman, Dennis Oppenheim, Stephen Kaltenbach, Jan Dibbets, Douglas Huebler, Iain Baxter, Robert Barry, Hans Haacke, Daniel Buren, Bernar Venet, Ian WIlson, Mel Bochner, Saul Ostrow, Lawrence Weiner, Ed Ruscha, Donald Burgy, James Lee Byars, and Adrian Piper. ... [details]
![A.W.C. : Open Hearing / An Open Public Hearing on the Subject : What Should be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers Coalition [AWC]](/objects/images/s14833.jpg "A.W.C. : Open Hearing / An Open Public Hearing on the Subject : What Should be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers Coalition [AWC]")
The report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
