Critical theory essay on new representational art by Rosalind Constable, dated February 1, 1962. The essay uses a December 31, 1962 article by Paul Berg from The St. Louis Dispatch as a jumping off point to discusses three artists working in representation: James Rosenquist and Roy Lichtenstein, mentioned by Berg, while Constable adds Andy Warhol to the conversation. ... [details]
Critical theory essay, "Some Notes on the Current Art Magazines," by Rosalind Constable, dated March 15, 1961. The essay suggests that American critics have an open hostility toward the art of the New York School of artists, and as a result the only way to gain an understanding of what was happening in the New York scene was through art magazines published abroad. ... [details]
Critical theory essay on pop art by Rosalind Constable, dated October 29, 1962. The essay discusses the turning away from abstract expressionism toward pop art, or "The New Realism," illustrated with images of the work of British pop artists Peter Phillips, John Latham, Patrick Hughes, Richard Hamilton, Derek Boshier, R. ... [details]
January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. ... [details]