Double sided program for films presented at Film-Makers' Cinematheque from April - March, 1965. Films presented include "Forty Guns" and "Shock Corridor" by Samuel Fuller; "The Frantic, Pedantic, Semantic, Antic," by Ira Schneider; "A Fall Trip Home," by Nathanael Dorsky; "Ningen Dobutnen," by Yoji Kuri; "Love," by Takahiko Iimura; a new film by Andy Warhol; "Gardens of Tivoli," by Arthur Tress; the premiere of "The Lark" by Rudy Burkhardt; "Fireworks," "Eaux d' Artifice," "Inaugeration of the Pleasure Dome," "Scorpio Rising," by Kenneth Anger; Mike and George Kuchar retrospective including "A Reel of Home Movies," "The Slasher," "The Naked & the Nude," "The Thief and the Stripper," "I was a Teenage Rumpot," "Pussy on a Hot Tin Roof," "The Lurk," by Rudy Burckhardt; the premiere of "Sins of the Fleshapoids," by Mike Kuchar; Harry Smith retrospective; films of Jerry Joffen; Sidney Peterson retrospective including "Cage," "Lead Shoes," "Mr. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
