Catalogue for a juried exhibition curated by scientists conceived by Art & Technology guru Billy Klüver. Organized by Experiments in Art and Technology in conjunction with the Brooklyn Museum and The Museum of Modern Art, a call for submissions was placed in the New York Times on November 12, 1967 [reproduced in this catalogue] the show drew budding technologists / artists with the chosen work ultimately exhibited at the Museum. ... [details]
Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. ... [details]
Edited by Tod Lippy. Essays "50 Frames: Peter Hutton's At Sea (2007): Stills from the acclaimed experimental filmmaker's latest-and possibly best-film," by Scott MacDonald; "Daily Reminders: Lunchbox notes-spanning 15 years-from a father to his two children," by Robert Guest; "New Voices: "Plate Tectonics": Fifth in our series of fiction by never-before-publishing authors," by Lesley Clayton; "Doug McNamara's Biobiversions: This business analyst-and former biology teacher-combines science and fiction in drawings seen here for the first time," by Tod Lippy; "The Desert: An excerpt from the poet and artist's forthcoming sewn poem, based on a fascimile of John Van Dyke's The Desert," by Jen Bervin; "Modern Artifacts: Drawing Comparisons: The latest installment in a series presented with the MoMA archives features sketches by former director René d'Harnoncourt," by Michelle Elligott; "Guarded Opinions: A museum guard from the Corcoran Gallery of Art offers his take on a Monet landscape from 1885," by Berhanu Taffa; "Esopus CD #10: Good News. ... [details]
Exhibition catalogue published in conjunction with show held June 28 - August 24, 1985. Essay by Joshua Decter and David Laurie, with contributions by David Clark, Vicente Todoli, Mary-Katherine Weatherford. ... [details]
Issue edited by Ingrid Sischy. Essays "The Uncanny Resurrections of 'America is Waiting,'" by Scott Cook; "Yves Klein, Messenger of the Age of Space," by Thomas McEvilley; "John Waters' 'Divine Comedy,'" by Scott MacDonald; "Neither Fool, nor Naive, nor Poseur-Saint: Fragments on R. ... [details]
Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "Double Vision in Space City: 'The Houston School' of Barbara Rose and Susie Kalil; William Camfield's Houston Artists," by Thomas McEvilley; "American Medical Association," a project by Ida Applebroog; "Robert Morris, a Saint Jerome for Our Times," by Carter Ratcliff; "Richard Wentworth's Ad Hoc Esthetics," by Stuart Morgan; "Robert Smithson's Early Work - A Resurrection," by Stuart Morgan; "What's Natural?," A Conversation between Joseph Love and Jo Kondo; "American Prayers," by Kim Gordon; "John Duff's perfect Sculpture," by Donald Kuspit; "Endless Meaning at the Hirshhorn," by Roberta Smith; "Corrupting the Absolute," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]
Exhibition catalogue published in conjunction with show held at the Mead Art Museum, Amherst, Massachusetts, February 1 - June 1, 2003. Traveled to the Mason Gross Art Galleries, New Brunswick, New Jersey, September 29 - November 5, 2003. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "Interview with Beth and Scott B," by Scott MacDonald; "Foucault, or the Ends of Modernism," by John Rajchman; "The Rivière Beast, or the Unfinished Trial of the Creature Who Tortured Birds and Frogs," by Jean-Marie Alliume; "Six Poems," by F. ... [details]