objects: 3
1
show
sort by
Journal [LAICA Journal]
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white
  • 27.5 x 21.3 cm.
  • 72 pp.
  • edition size unknown
  • unsigned and unnumbered

Journal [LAICA Journal]

No. 37, Volume 4 (September-October 1983)

William Brice, Richard Prince, Guy de Cointet, Herbert Jepson, Marjorie Rogers, George Goodman, Millard Sheets, Robert Irwin, Frederick S. Wight, Howard Warshaw, Susan Einstein, Oliver Andrews, Phyllis Plous, Emily Hicks, Suzanne Muchnic, Beverly O'Neill, John Beach, Judith Hoffberg, Gordon Wagner

Edited by Cindy Berry and cover by William Brice. Essays "Guy de Cointet, In Memorium," by unattributed artists; "History Repeats Itself, Part II," by unattributed artists; "Why I Go to the Movies Alone," by Richard Prince; "Representational Drawing Today," Phyllis Plous; "After the Revolution, Cuba in Photographs," by Emily Hicks; "Big Folks," by Suzanne Muchnic; "Is It Curtains for the T. ... [details]

out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
Journal [LAICA Journal]
  • periodical
  • wrappers
  • offset-printed
  • staple bound
  • black-and-white
  • 27.5 x 21.3 cm.
  • 64 pp.
  • edition size unknown
  • unsigned and unnumbered

Journal [LAICA Journal]

No. 23 (June-July 1979)

Edward Ruscha, Martha Rosler, Bernar Venet, Kristine Stiles, Gregory Battcock, Carole Caroompas, Peter Schjeldahl, Robert C. Morgan, Lawrence Weiner, Douglas Huebler, Clair Wolfe, John Baldessari, Christopher Knight, Melinda Wortz, Suzanne Muchnic, Ruth Askey, David James, James Hugunin, Louise Lawler, Peter Nadin, Christopher D'Arcangelo

Edited by Debra Burchett and Bridget Johnson. Cover by Ed Ruscha. Essays "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin; "Painting: Back to Back," by Melinda Wortz. [details]

out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
Journal [LAICA Journal]
  • periodical
  • wrappers
  • offset-printed
  • staple bound
  • black-and-white
  • 27.6 x 21.2 cm.
  • 55 pp.
  • edition size unknown
  • unsigned and unnumbered

Journal [LAICA Journal]

No. 21 (January - February 1979)

Dody W. Thompson, Trina Mitchum, Sandra McKee, Karen Jossel, Norman Klein, Sandra Matthews, Susan C. Larsen, Suzanne Muchnic, Fortney Carter, James Hayward, Barbara Smith, Jim Moisan

Edited by Jim Moisan, Debra S. Burchett, and Bridget Reak-Johnson. Cover by JoAnn Callis. Essays "Why Is That Photographer Working in the Graveyard?" by Dody W. Thompson; "A Conversation with Ed Ruscha," by Trina Mitchum; "Cronies," by Sandra McKee and Karen Jossel; "Mickey," by Norman Klein; "Independent Film," by Sandra Matthews; "On Interviewing," by Susan C. ... [details]

out of stock
Let us know if you’d like to be notified if this item becomes available: send us an email.
objects: 3
1