Historical examination of The Ferus Gallery, Los Angeles CA. Written and organized by critic and journalist, Kristine McKenna. "Prior to the opening of The Ferus Gallery in 1957 it was virtually impossible to see contemporary art in Los Angeles. ... [details]
Monograph on the photography of William Eggleston edited and with an essay by Thomas Weski. Introduction by William Hopps. "While driving through New Mexico in 1973, William Eggleston stopped at Lost Alamos, the forested site of the atomic bomb's clandestine development. ... [details]
Monograph on the California-based painter Jay Defeo and, in particular, her monumental work, The Rose. Edited by Jane Green and Leah Levy, with an introduction by Marla Prather, and essays by David A. ... [details]
Issue edited by Jack Bankowsky. Essays "Best of 2000," by Dave Eggers, A.M. Homes, Pierre Apraxine, Rick Moody, J.G. Ballard, Lou Reed, Jeremy Scott, Douglas Coupland, Richard Howard, Karim Rashid, Homi K. ... [details]
Issue edited by Jack Bankowsky. Essays "Regional Exhibitions: Forty Shows Worldwide"; " News: Lee Smith on Hans Haacke," by Lee Smith; "US Shorts," by Emily Erikson; "Travel Brief: Exhibitions on the Road"; "From the Vault: Richard Shone on 'Encounters' at London's National Gallery," by Richard Shone; "World Report: Katy Siegel on Manifesta 3 and the Lyon Biennale 2000," by Katy Siegel; "World Report: Rachel Withers on the New Curators at the London ICA," by Rachel Withers; "International Shorts," by Rachel Withers; "James Coleman: Opening Lines," by David Frankel; "Stephen Prina: Flaming Feature," by Tom Holert; "Robert Rauschenberg's 'Holiday Ruse (Night Shade),' 1991," by Walter Hopps; "Lisa Yuskavage: Blonde Ambition," by Katy Siegel; "A Thousand Words: Doug Aitken," by Saul Anton; "Web Work: A History of Internet Art" by Rachel Greene; "Openings: Heidi Kidon," by Jan Tumlir. ... [details]
Special "Best of the '90s" issue edited by Jack Bankowsky. "Best of the '90s: 10 Top Tens," by Dave Hickey, Daniel Birnbaum, Robert Rosenblum, Jan Avgikos, David Rimanelli, Peter Plagens, Carol Squiers, Bruce Hainley, Dan Cameron, Boris Groys. ... [details]
Issue edited by Jack Bankowsky. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. ... [details]
Exhibition catalogue published in conjunction with show held at the Whitney Museum of American Art, New York, February 29 - June 2, 1996. Traveled to The Museum of Contemporary Art, Los Angeles, June 30 - November 3, 1996; and the Berlinische Galerie, Berlin, February 14 - April 20, 1997. ... [details]
Exhibition catalogue published in conjunction with show held at Whitney Museum of American Art, New York, February 29 - June 2, 1996. Traveled to Museum of Contemporary Art, Los Angeles, June 30 - November 3, 1996; and Berlinische Galerie, Berlin, February 14 - April 20, 1997. ... [details]
Issue edited by Jack Bankowsky. Essays, Artforum '62 - '79, "Ars Longa, Pecunia Brevis," by John Irwin; "Phil Leider, Editor: No Phil, No Forum," by Walter Hopps; "Phil Leider, Editor: He Was a Great Editor," by Richard Serra; "Phil Leider, Editor: He Was Extremely Talkative," by Irving Blum; "Phil Leider, Editor: He Was Extremely Terse," by John Coplans; "Phil Leider, Editor: He Called Me Chuck," by Chuck Close; "Phil Leider, Editor: He Was a Great Editor, and He Loved his Wife," by Michael Fried; "John Coplans: A Conversation with Peter Plagens"; "Let Slip the Dogs of War: Editing Artforum," by Angela Westwater; "Charles Cowles: A Conversation with Henry Geldzahler"; "The Page Was My Party," by Robert Pincus-Witten; "Yours Faithfully, Joseph Masheck," by Joseph Masheck. ... [details]
