Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. ... [details]
Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. ... [details]
Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. ... [details]
Press release for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. ... [details]
Two sided postcard / announcement published in conjunction with show held December 4, 1991 - January, 1992. Curated by Kenny Schachter. "One of his earliest exhibitions, ''''Unlearning,'''' sought precisely to turn the prevailing construct upside down. ... [details]
Documents exhibitions from the first eight years of the New York alternative art space 112 Workshop. Entries are organized in chronological order, with textual information on the artists involved in each exhibition, as well as full page reproductions of works shown. ... [details]
Catalogue published in conjunction with Creative Time's public project, "Democracy in America : The National Campaign", New York, NY, September 2008. Includes essays by Anne Pasternak, Nato Thompson, Yates McKee, Group Material and Daniel Tucker; interviews with Trevor Paglen, Steve Kurtz, Ayreen Anastas and Rene Gabri. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Al Goldstein. Essays "Screw You," by Al Goldstein; "How They/You Can Tell if You/They Are Gay!" by John P. LeRoy; "The Liberated Woman," by Barbara Sorel; "Homosexual Citizen : Lay Ladies Lay Plural Pussy Passion," by Ken Gaul; "Bisexual Blues : 'I've Looked at Love from Both Sides Now,' " by Dan Mouer; "A Girl's Guide to Meat Movies," by Marcia Blackman; "Matrimony as Patrimony," by David Gaard; "Marriage in the Seventies : Fourth in a Series," by Sandford Kaplan; "Q: What Is. ... [details]