Exhibition brochure published in conjunction with "Bad Girls," a two part exhibition: Part I held January 14 - February 27, 1994 and Part II held March 5 - April 10, 1994. Organized by Marcia Tucker. ... [details]
Exhibition catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition's curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. ... [details]
Two volume exhibition catalogue published in conjunction with two part show held March 14 – May 18, 2014 and May 25 – August 3. "Other Primary Structures revisited the premise of and built upon the Museum’s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. ... [details]
Catalogue from 1985 offering for rental and sale 200 video programs by 85 independent producers of experimental video as well as back issues of Video Data Banks publication "Profile." Artists include Vito Acconci, Chantal Akerman,Max Almy, Laurie Anderson, Carl Andre, Eleanor Antin, Betty Asher, Dore Ashton, Alice Aycock, Myrna Bain, John Baldessari, Jennifer Bartlett, Gregory Battcock, Romare Bearden, Billy Al Bengston, Joseph Beuys, Dara Birnbaum, Louise Bourgeois, Stan Brakhage, Joan Brown, Roger Brown, John Cage, Judy Chicago, Christo, Chuck Close, A. ... [details]
Two sided flyer / schedule of events published in conjunction with a series of five symposia organized as an accompaniment to the exhibition “Sustained Visions,” examining the "esthetic, social, political, and economic aspects of the New York art community from the 1950s to the present," held May 2 - 30, 1979. ... [details]
Exhibition catalogue published in conjunction with show held May 19 - July 6, 1969. Texts by curators James Monte and Marcia Tucker. "The radical nature of many works in this exhibition depends less on the fact that new materials are being used by the artists than the fact that the acts of conceiving and placing the pieces take precedence over the object qualities of the works. ... [details]
Exhibition catalogue published in conjunction with show held at Matthew Marks Gallery, May 3 - June 30, 1996. The essay featured in the catalogue, "On the Sculpture," by William Tucker, was oroginally published in Art Journal 48 (Fall 1989): 244. ... [details]
Exhibition catalogue published in conjunction with show held September 14 - November 26, 1989. Curated and with a text by Laura Trippi with additional texts by Gary Indiana, Martin Meisel, Luce Irigaray, Orshi Drozdik, and an excerpt from a text by John Cage. ... [details]
Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. ... [details]
May 1970 issue of Studio International. Edited by Charles Harrison. Essays include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
