Critical theory / exhibition catalogue published in conjunction with show held at Centre Georges Pompidou, Paris, May 22 - August 26, 1996. Includes bibliographical references and index. Originally published in France as 'L'Informe: mode d'emploi' by Editions du Centre Pompidou, 1996. ... [details]
Exhibition catalogue published in conjunction with show held October 1 - November 16, 1981. Essays by Yve-Alain Bois and Christel Sauer. Includes biography, selected exhibition history, bibliography and an exhibition checklist. ... [details]
Exhibition catalogue published in conjunction with show held October 11 - November 9, 2002. Essay by Yve-Alain Bois. Includes biography and selected exhibition history. [details]
Exhibition catalogue published in conjunction with show held September 25 - November 30, 1986. Curated by David Joselit and Elisabeth Sussman. Extensive essays by Thomas Crow, Yve-Alain Bois, Hal Foster, Bob Riley, Joselit, Sussman. ... [details]
"This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman’s radical painting has fundamentally shifted the definitions and boundaries of art. ... [details]
Exhibition catalogue published in conjunction with show held January 14 - February 27, 1993. Text by Yve-Alain Bois and interview between Edward Ruscha and Walter Hopps. Includes exhibitions checklist. ... [details]
Compendium of critical texts on the art of Claes Oldenburg. Edited and with an essay by Nadja Rottner. Additional essays by Joshua Shannon, Yve-Alain Bois, Julia E. Robinson, Ellen H. Johnson, Benjamin H. ... [details]
Volume one of a catalogue raisonné of the early works (1956 - 1974) of John Baldessari. Edited by Patrick Pardo and Robert Dean, with an essay by Yve-Alain Bois and an interview between John Baldessari and Christopher Knight. ... [details]
English translation of the historical analysis by Pierre Francastel. Foreword by Yve-Alain Bois. Translated from the French by Randall Cherry. "As art history itself is being reconfigured amid the technological culture of the twenty-first century, his nuanced meditations from the 1950s on the inricate intersection of technology and art gain heightened value. ... [details]
"OCTOBER: The First Decade, 1976 - 1986 brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory. ... [details]
