New Observations : Art in the Folds
  • periodical
  • pictorial wrappers
  • offset-printed
  • staple bound
  • black-and-white & color
  • 27.3 x 21.1 cm.
  • 32 pp.
  • edition size unknown
  • unsigned and numbered

New Observations : Art in the Folds

No. 110 (January/February 1996)

Elena Berriolo, Roland Flexner, Josefina Ayerza, James Welling, Dominique Nahas, Oliver Herring, James Nares, Polly Apfelbaum, John Coplans, Gregory Volk, Igor Kopystiansky, Dorothea Rockburne, Saul Ostrow, Nancy Rubins, Sarah Charlesworth, Todd Ayoung, Faye Hirsch, Peter Halley, David Reed, George Sugarman, Terry Winters, David Ward

New Observations : Art in the Folds


Issue number 110 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Elena Berriolo and Roland Flexner. Essays "Introduction," by Elena Berriolo and Roland Flexner; "So She Unfolds..." by Josefina Ayerza; "II," by James Welling; "Passing the Marcelling Test with a Cold Iron," by Dominique Nahas; "Covered Coat #2," by Oliver Herring; "Untitled," by James Nares; "From Fold to Fold," by Polly Apfelbaum; "Self Portrait, (Back of Hand)," by John Coplans; "Revelation and Concealment," by Gregory Volk; "Diptych," by Igor Kopystiansky; "Egyptian Painting Saqqarah," by Dorothea Rockburne; "The Gray Painting (Newspaper 1957, 27X36 Inches, Not Illustrated)," by Saul Ostrow; "Mattresses & Cakes," by Nancy Rubins; "Enclosed Garden," by Elena Berriolo; "Text," by Sarah Charlesworth; "After Civilization and After," by Todd Ayoung; "The Fifth World," by Faye Hirsch; "Fabric-Made Body," by Roland Flexner; "Prison with Conduit," by Peter Halley; "No. 289," by David Reed; "Untitled," by George Sugarman; "Implications, Images and Signes," by Terry Winters; "Unfolding the Image: Gilles Deleuze and Film Theory," by David Ward. Cover: Svetlana Kopystiansky.

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