Exhibition catalogue published in conjunction with symposium and multi venue show presented by The Association Kunsthalle Marcel Duchamp, Cully, Switzerland, in collaboration with the Philadelphia Museum of Art and ECAL / University of Art and Design Lausanne, held May 7 - June 13, 2010. Curated by Stefan Banz and Caroline Bechmann. Catalogue edited by Stefan Banz. Texts by Caroline Bechmann, Stefan Banz, Etienne Barilier, Lars Blunck, Paul B. Franklin, Antje von Graevenitz, Dalia Judovitz, Michael Lüthy, Bernard Marcadé, Adeena Mey, Herbert Molderings, Stanislaus von Moos, Francis M. Naumann, Mark Nelson, Molly Nesbit, Dominique Radrizzani, Michael R. Taylor, Philip Ursprung, and Hans Maria de Wolf. Special artistic contributions by Melanie Althause, Ecke Bonk, Andreas Glauser, Peter Roesch, Roman Signer, Tadanori Yokoo, and many others. "In August 1946, Marcel Duchamp spent five weeks in Switzerland, and stayed at the Hotel Bellevue (today, Le Baron Tavernier) near Chexbres, on Lake Geneva. It was here that he discovered the Forestay waterfall, which was to become the starting point for (and ultimately the landscape of) his enigmatic and final masterpiece, 'Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage' ("Given: 1. The Waterfall, 2. The Illuminating Gas"). Now, for the first time, the full significance of the choice of this waterfall is explored." -- publisher's statement.