Wedge : The Imperialism of Representation The Representation of Imperialism
  • periodical
  • wrappers
  • offset-printed
  • glue bound
  • black-and-white
  • 25.3 x 21.2 cm.
  • 131 pp.
  • edition size unknown
  • unsigned and unnumbered

Wedge : The Imperialism of Representation The Representation of Imperialism

No. 7 / 8 (Winter / Spring 1985)

Edward Said, Mavis Jenkins, Jean-Luc Godard, Jean-Pierre Gorin, Gary Indiana, Edward S. Herman, Jurgen Habermas, Barbara Kruger, Allan McCollum, Victoria de Grazia, Laurie Simmons, Suzanne Jackson, Silvia Kolbowski, Michael Eaton, John Strauss, Rosa Club, Gayatri Chakravorty Spivak

Wedge : The Imperialism of Representation The Representation of Imperialism


Winter / Spring 1985 issue of the periodical "Wedge." Edited by Phil Mariani and Brian Wallis. Essays "In the Shadow of the West," by Edward Said; "Liza Bear's Foreign Movie," by Mavis Jenkins; "Document 1: Free World," by unattributed artists; "Document 2: National Interest," by unattributed artists; "Letter to Jane (Investigation of an Image)," by Jean-Luc Godard and Jean-Pierre Gorin; "The Role of My Family in the World Revolution," by Gary Indiana; "Document 3: Public Consent," by unattributed artists; "Document 4: Free Market," by unattributed artists; "U.S. Interventionism: Reality and Rhetoric," by Edward S. Herman; "Conservatism and Capitalist Crisis," by Jurgen Habermas; "Time and Money," by Barbara Kruger; "Document 5: Public Safety," by unattributed artists; "Document 6: Armed Minorities," by unattributed artists; "In the collection of... ," by Allan McCollum; "Document 7: Containment," by unattributed artistst; "Document 8: Loyal Ally," by unattributed artists; "Americanism for Export," by Victoria de Grazia; "Tourism," by Laurie Simmons; "Five Things (after whose destruction A. will be free)," by Suzanne Jackson; "Document 9: Pacification," by unattributed artists; "Document 10: Aid," by unattributed artists; "Sa(l)vages of Femininity/Domestic Slaves," by Silvia Kolbowski; "Darkest England: Exploration of a Metaphor," by Michael Eaton; "Document 11: Stabilization," by unattributed artists; "Document 12: Recovery," by unattributed artists; "Transparency: The Highest Stage of Bank Architecture," by John Strauss; "As the World Burns," by Rosa Club; "Can the Subaltern Speak? Speculations on Widow-Sacrifice," by Gayatri Chakravorty Spivak.

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