Exhibition catalogue in two volumes for show held at the Museum of Fine Arts, Boston, Massachusetts, 1971. First book includes an essay by David Antin, and biographies of the artists in the exhibition, as well as a selected bibliography. ... [details]
Issue 49 of the periodical October. Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Contents include: "Some Functions of Feminist Criticism, or The Scandal of the Mute Body," by Tania Modleski; "Van Gogh, or The Insufficiency of Sacrifice," by Eric Michaud; "French Customs, Literary Borders," by Denis Hollier; "The Orthopsychic Subject: Film Theory and the Reception of Lacan," by Joan Copjec; "Yves Klein, or The Dead Dealer," by Thierry de Duve; "Sontag's Urbanity," by D. ... [details]
Edited by Joan Copjec, Douglas Crimp, Rosalind Krauss, Annette Michelson, and Terri L. Cafaro. Essays "Andy Warhol, or The Machine Perfected," by Thierry de Duve; "The Aesthetic Transformation of the Image of the Unimaginable," by Gertrud Koch; "Anselm Kiefer: The Terror of History, the Temptation of Myth," by Andreas Huyssen; "Fatal Attractions: Leni Riefenstahl's The Blue Light," by Eric Rentschler; "Contribution to Points of Reference 38/88," by Hans Haacke; "The Monument is Invisible, the Sign Visible," by Werner Fenz; "A Note on Gerhard Richter's October 18, 1977," by Benjamin H. ... [details]
Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya. ... [details]
Issue edited by Bice Curiger. Essays "When You Offer Stones You Get Stones," by Edward Leffingwell and Lawrence Weiner; "François Boucher," by Andrei Kowaljow; "On The Sigmar Polke Retrospective In The U. ... [details]
Issue edited by Bice Curiger. Essays "The Philosophical Light and the Light of Art," by Hartmut Böhm; "Rachel Whiteread," by Doris von Drathen; "Ross Bleckner's Icons," by Edmund White; "Memorialising Aids," Simon Watney; "Oscillations," "Ross Bleckner in Conversation with David Seidner," by Jose Luis Brea; "In the Charnel House of Love," by Marina Warner; "The Unfulfillment and the Surfeit," by Anna Tilroe; "Dial 970-Muse: Marlene Dumas's Pornographic Mirror," by Ingrid Schaffner; "Pictures incomprehensible but illuminating," by Ulrich Looke; "Adrian Schiess," by Max Wechsler; "Les Infos Du Paradis," by Martijn Nieuwenhuyzen; "Cumulus From America," by Carolina Ponce de León; "Cumulus Aus Europa," by Adrian Searle. ... [details]
Issue edited by Bice Curiger. Essays "Orozco in Paris," by Claude Gintz; "Kasseböhmer's Trees," by Walter Grasskamp; "Felix Gonzalez-Torres: Travelogue," by Nancy Spector; "In Purgatory: The Work of Felix Gonzalez-Torres," by Simon Watney; "Felix Gonzalez-Torres: Social Works," by Susan Tallman; "A Room by Wolfgang Laib in the Centre Pompidou," by Didier Semin; "More than Myself," by Clare Farrow; "A Waxroom in the Mountain," by Jean-Marc Avrilla; "Medicine Man - Proposing a Context for Wolfgang Liab's Work," by Thomas McEvilley; "Matthew Barney's Fornication with the Fabric of Space," by Neville Wakefield; "Les Infos Du Paradis: On Burt Barr," by Lynne Cooke and Klaus Kertess; "Cumulus Aus Europa," by Eric Troncy; "Cumulus From America," by Meyer Vaisman; "Balkon," by Laura Arici. ... [details]
Issue edited by Bice Curiger. Essays "Sophie Calle: C'est Mon Plaisir," by Sheena Wagstaff; "Alighiero E Boetti," by Jean-Christopher Ammann; "Alighiero E Boetti," by Giovan Battista Salerno; "Alighiero e Boetti: The Difference between Invention and Exploration or from Geography to Experience with Two Maps," by Rainer Crone and David Moos; "The Halted Gesture Of Writing," by Friedemann Malsch; "Logic And Disruption In The Work Of Alighiero E Boetti," by Jean-Pierre Bordaz; "Franz West," by Herbert Lachmayer and Brigitte Felderer; "Mike Kelley: B-B-Bildung / C-Culture And B-Culture," by Jutta Koether; "War - Sign - War," "Inquiries On Afghan Rugs," by Friedrich Kittler; "Les Infos Du Paradis: Interview," by Trevor Fairbrother, Meyer Vaisman, Andy Warhol; "Cumulus From America," by David Rimanelli; "Cumulus Aus Europa," by Kimmo Sarje; "Balkon," by Bernard Marcadé. ... [details]
Issue edited by Bice Curiger. Essays "Bush Natural," by Marina Warner; "Controlled Disorder - John M Armleder," by Claude Ritschard; "The Power Of Intimacy," by Josef Helfenstein; "'I Am A Woman With No Secrets' - Statements By Louise Bourgeois," by Christiane Meyer-Thoss; "Pretty As A Picture: Louise Bourgeois' Fillette," by Mignon Nixon; "Louise Bourgeois' Défi," by Manuel J. ... [details]
Issue edited by Bice Curiger. Essays "On Asta Gröting," by Gudrun Indoen; "Gary Hill: 'Who am I but a figure of speech?'," by Lynne Cooke; "A Conversation with Ilya Kabakov: 'With Russia on your Back,'" by Boris Groys; "The Architect of Emptiness," by Robert Storr; "On Lies and Other Truths," by Jan Thorn-Prikker; "Kabakov's Twinkle," by Claudia Jolles; "Bad Jokes," by Edmund White; "To Know, Know, Know Him," by Susan Tallman; "Richard Prince, Realist," by Daniela Salvioni; "Red Wings: Concerning Richard Prince's 'Spiritual America,'" by Kathy Acker; "Abstract Monsters," by Patrick McGrath; "Les Infos Du Paradis," by Jo Anna Isaak; "Cumulus From America," by Hunter Drohojowska; "Cumulus Aus Europa," by Eleonora Louis and Christoph Geissmar; "Balkon," by Edward Ball. ... [details]
