Critical theory text examining the imperialist ideology in the Disney Comic "Donald Duck." Translation and updated introduction by David Kunzle. Appendix by John Shelton Lawrence. Published by Seth Siebelaub's International General imprint. ... [details]
Critical theory text examining the imperialist ideology in the Disney Comic "Donald Duck." Translation and introduction by David Kunzle. Appendix by John Shelton Lawrence. Published by Seth Siebelaub's International General imprint. ... [details]
Artist's book by Nancy Holt. Features photos and texts that give the account of the sad last days of the life of the artist's Aunt Ethel, through Ethel's own words and primary sources. [details]
Special edition boxed edition / artist's book by Annette Messager divided into three sections: "Mes Hommes de Protection" (My Protection Men); "Mes Attaques" (My Attacks); "Mes Amis" (My Friends), each part containing original tipped-in black-and-white silver gelatin prints, for a total of 27 images mounted to loose sheets. ... [details]
'Shame Space'' is an artist's book that explores the possibilities of narrative and identity. The book collects a selection of journal writings by Syms from 2015-2017 in which she attempts to capture her shadow self alongside a selection of image stills from the recent video project ''Ugly Plymouths'' (2020). ... [details]
Exhibition catalogue published in conjunction with The Future Fields Commission in Time-Based Media of Martine Sym's multichannel video installation "Neural Swamp," held at Fondazione Sandretto Re Rebaudengo, Turin, Italy, November 5, 2021 - March 27, 2022. ... [details]
Double sided postcard / announcement published in conjunction with a talk by Dorothy Parker on Hollywood, held at Circle-In-The-Square, New York, May 10, 1953. [details]
Holiday card sent by Metro Pictures in 2005 accompanied by a photographic print of a photograph found by Jim Shaw at a local swap meet. Includes printed single-sided card as well as the photograph. [details]
Issue no. 42 of Parkett, edited by Bice Curiger. Contents include: "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming; and "Balkon," by Robert Ohrt. ... [details]
Exhibition catalogue published in conjunction with shows held at David Zwirner, New York, NY, and Lawrence Markey, San Antonio, TX, in February- March, 2013. Includes excerpts from "Portio Minor: Suzan Frecon's Watercolors," by Sarah Eckhardt; excerpts from Ferdinando Bologna, "Early Italian Painting: Romanesque and Early Medieval Art;" a letter from Mary Benson to Grace Nicholson; and a list of plates. [details]