Issue edited by Bice Curiger. Essays "Vija Celmins," by Sheena Wagstaff; "Larry Clark: What Is This?," by Jim Lewis; "Working With Success - Working With Unsuccess," by Rudolf Bumiller; "Imi Knoebel and Grace Kelly: The High," by Rainer Crone / David Moos; "Imi Knoebel First Impressions," by Lisa Liebmann; "The Transgressions of Sherrie Levine," by Daniela Salvioni; "Presence Withdrawn," by Erich Franz; "Looking After Sherrie Levine," by Howard Singerman; "Making Work And Turning York Back On It: Bethan Huws," by Liam Gillick; "The Work of Art as the Ideal Center for Human Beings Walter De Maria's the 2000 Sculpture," by Thomas Kellein; "Les Infos Du Paradis," by International Time Capsule Society; "Cumulus From America," by Ralph Rugoff; "Cumulus Aus Europa," by Robert Fleck; "Balkon," by Jeanne Silverthorne. ... [details]
Issue edited by Bice Curiger. Essays "Marie José Burki: Das Zittern der Dinge," by Daniel Kurjakovic; "Peter Hujar," by Nan Goldin; "Vija Celmins: Material Fictions," by Nancy Princenthal; "Night, Sleep, Death and the Stars," by Jim Lewis; "Vija Celmins in conversation with Jeanne Silverthorne," by Vija Celmins; "Vija Celmins' Play of Imitation," by Richard Shiff; "On the Melancholy of Vantage Points," by Jean-Pierre Criqui; "Andreas Gursky: Painter of New Theaters of Action," by Jacqueline Burckhardt; "Brasilia: Vanishing Points," by Neville Wakefield; "How Familiar is it?," by Collier Schorr; "Guess Who's Coming to Dinner," by Alexandre Melo; "Forget about the Ball and Get on with the Game," by Liam Gillick and Rirkrit Tiravanija; "En route," by Richard Flood and Rochelle Steiner; "Micromegas," by Lynne Cooke; "The Trap Slams Shut: Andreas Slominski," by Noemi Smolik; "Jean Painlevé and Mark Dion; "A Wordscape. ... [details]
Issue edited by Bice Curiger. Essays "Richard Prince: Notes Toward A Supreme Fiction," by James Lewis; "Real Monochrome Images," by Helmut Friedel; "Time Of Painting, Time Of Representation," by Ulrich Loock; "Franz Gertsch," by I. ... [details]
Issue edited by Bice Curiger. Essays "The Philosophical Light and the Light of Art," by Hartmut Böhm; "Rachel Whiteread," by Doris von Drathen; "Ross Bleckner's Icons," by Edmund White; "Memorialising Aids," Simon Watney; "Oscillations," "Ross Bleckner in Conversation with David Seidner," by Jose Luis Brea; "In the Charnel House of Love," by Marina Warner; "The Unfulfillment and the Surfeit," by Anna Tilroe; "Dial 970-Muse: Marlene Dumas's Pornographic Mirror," by Ingrid Schaffner; "Pictures incomprehensible but illuminating," by Ulrich Looke; "Adrian Schiess," by Max Wechsler; "Les Infos Du Paradis," by Martijn Nieuwenhuyzen; "Cumulus From America," by Carolina Ponce de León; "Cumulus Aus Europa," by Adrian Searle. ... [details]
Issue edited by Bice Curiger. Essays "Sophie Calle: C'est Mon Plaisir," by Sheena Wagstaff; "Alighiero E Boetti," by Jean-Christopher Ammann; "Alighiero E Boetti," by Giovan Battista Salerno; "Alighiero e Boetti: The Difference between Invention and Exploration or from Geography to Experience with Two Maps," by Rainer Crone and David Moos; "The Halted Gesture Of Writing," by Friedemann Malsch; "Logic And Disruption In The Work Of Alighiero E Boetti," by Jean-Pierre Bordaz; "Franz West," by Herbert Lachmayer and Brigitte Felderer; "Mike Kelley: B-B-Bildung / C-Culture And B-Culture," by Jutta Koether; "War - Sign - War," "Inquiries On Afghan Rugs," by Friedrich Kittler; "Les Infos Du Paradis: Interview," by Trevor Fairbrother, Meyer Vaisman, Andy Warhol; "Cumulus From America," by David Rimanelli; "Cumulus Aus Europa," by Kimmo Sarje; "Balkon," by Bernard Marcadé. ... [details]
Issue edited by Bice Curiger. Essays "Interview Sigmar Polke," by Bice Curiger; "Modernism And Günther Förg's Photographs," by John Caldwell; "At The Crossroads Of Disciplines," by Catherine Queloz; "We Are Not Afraid / An Impossible Comparison," by Wilfried Dickhoff; "Philip Taaffe: History Is In The Making," by Jeff Perrone; "A Propos Philip Taaffe," by Edmund White; "Fragment On Ornament," by Francesco Pellizzi; "Philip Of Naples And The Evocative Geometry Of History," by G. ... [details]
Issue edited by Bice Curiger. Essays "Bush Natural," by Marina Warner; "Controlled Disorder - John M Armleder," by Claude Ritschard; "The Power Of Intimacy," by Josef Helfenstein; "'I Am A Woman With No Secrets' - Statements By Louise Bourgeois," by Christiane Meyer-Thoss; "Pretty As A Picture: Louise Bourgeois' Fillette," by Mignon Nixon; "Louise Bourgeois' Défi," by Manuel J. ... [details]
Issue edited by Bice Curiger. Essays "Imi Knoebel, Isa Genzken, Gerhard Merz," by Jean-Pierre Bordaz; "Hammon's Harlem Equation: Four Shots Of Memory, Three Shots of Avant-Garde," by Robert Farris Thompson; "Rich In Ruins," by Iwona Blazwick and Emma Dexter; "Is It Real Or Is It Memorex - A One Act Play," by John Farris; "Yo-Yo," by Lynne Cooke; "No Wonder," by David Hammons and Louise Neri; "America: Yet Another Discovery - Mike Kelley in Video," by Diedrich Diederichsen; "Wild Kingdom," by Lane Relyea; "The World's Bad Breath," by Bernard Marcadé; "Talking Failure," by Mike Kelley and Julie Sylvester; "Rémy Zaugg," by Claude Ritschard; "Les Infos Du Paradis," by Camiel Van Winkel; "Cumulus From America," by Daniela Salvioni; "Cumulus Aus Europa," by Hans-Ulrich Obrist; "Balkon," by Ursula Pia Jauch. ... [details]
Issue edited by Bice Curiger. Essays "Penis Plenty or Phallic Lack: Exit Mister Punch," by Marina Warner; "On Dennis Oppenheim," by G. Roger Denson; "Provocation and Poetic Enigma," by Véronique Bacchetta; "As Objects of," by Barrett Watten; "How feminist are Rosemarie Trockel's objects?," by Anne M. ... [details]
Issue edited by Bice Curiger. Essays "André Thomkins," by Renate Puvogel; "Thomas Struth," by Ulrich Loock; "Untitled," by Richard Artschwager; "On Artschwager On Art," by Arthur C. Danto; "The Wax And The Mast," by Georg Kohler; "Frogs, Dogs And Hungry Businessmen," by Mario A. ... [details]
