Critical theory publication edited by Christian Rattemeyer. Texts by Wim Beeren, Charles Harrison, Harald Szeemann, Tommaso Trini, Claudia Di Lecce, Steven ten Thije. Introduction by Teresa Gleadowe. "Afterall Books' new Exhibition Histories series responds to an increased interest in exhibition history with its inaugural volume on two of the most famous exhibitions of the 1960s: Wim Beeren's 'Op Losse Schroeven' (Stedelijk Museum, 1969) and Harald Szeemann's 'Live in Your Head : When Attitudes Become Form' (Kunsthalle Berne, also 1969). ... [details]
Exhibition catalogue published in conjunction with show held November 23, 1986 - March 8, 1997. Traveled to the Museum of Contemporary Art, Chicago, April 17, - July 19, 1997; to the Haags Gemeetemuseum, The Hague, September 1 - November 22, 1987. ... [details]
Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976 featuring site-specific installations in the rooms of the then largely unrenovated building. Includes installation images and images of artists installing their works, texts by artists within show, statements, and acknowledgments. ... [details]
Exhibition catalogue in two volumes for show held at the Museum of Fine Arts, Boston, Massachusetts, 1971. First book includes an essay by David Antin, and biographies of the artists in the exhibition, as well as a selected bibliography. ... [details]
Survey of young artists of the school of New York edited and with an introduction by B.H. Friedman. Contents include: "Helen Frankenthaler," by B.H. Friedman; "Robert Goodnough," by Barbara Guest; "Grace Hartigan," by Emily Dennis; "Jasper Johns," by Ben Heller; "Alfred Leslie," by James Schuyler; "Joan Mitchell," by Irving Sandler; "Raymond Parker," by Bill Godden; "Robert Rauschenberg," by David Harrison Myers; "Larry Rivers," by Frank O'Hara; "Jon Schueler," by Alastair Reid; and "Richard Stankiewicz," by Fairfield Porter. ... [details]
January 1980 issue of the quarterly publication Cover. Edited by Judith Aminoff. Contents include: "Circuits,' featuring Ida Applebroog, Rhys Chatham, Tom Dean, Fernando de Filippi, Eldon Garnet, Government, Nicole Gravier, Nancy Holt, Becky Johnston, Micha Laury, Ralph McRae, Raybeats, Robert Smithson, and Gordon Stevenson; "Speaking Out," by Shelley Rice; "A Manifesto for Photographic Criticism in a New Age," by Bill Jordon; a photograph by Ethan Gutman; "Towards a Theory of Image / Instrument / Decoration," by Vito Acconci; "Steve Reich / Philip Glass: Dialogue with Tim Page;" "Frame of Reference," by Lisa Kahane; "AT THE HANDS OF EARTH. ... [details]
Exhibition catalogue published in conjunction with show held at The New York Cultural Center, May 19 - August 29, 1971. Includes artists' project by Gilbert & George titled "There Were Two Young Men Who Did Laugh. ... [details]
May 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Art and design education," by David Warren Pipe; "Correspondence;" "News and Notes;" "Art in Recession," by Jonathan Benthall; "Aquisition versus Exhibition / The British Avant Garde," by Donald Karshan; "Virgin soils and old land," by Charles Harrison; Artists projects by Bruce MacLean, Keith Arnatt, David Dye, David Tremlett, Roelof Louw, Sculptures by Barry Flanagan and Roelof Louw, Barry Flanagan, Gilbert & George, Gerald Newman, Sue Arrowsmith, Colin Crumplin, and Richard Long; "De Legibus Naturae," Terry Atkinson and Michael Baldwin; "Toward an understanding of the within," by Andrew Dipper; and "Rules of thumb," by Victor Burgin. ... [details]
Exhibition catalogue published in conjunction with show held September 28 - October 27, 1969. Exhibition traveled to Institute of Contemporary Art, London, as variant of exhibition originally held at Kunsthalle Bern. ... [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]