Issue edited by John Coplans. Essays "An Interview with James Rosenquist," by Jeanne Siegel; "Derealized Epic," by Lawrence Alloway; "Kandinsky and Abstraction," by Rose-Carol Washton Long; "Ryman, Marden, Manzoni: Theory, Sensibility, Mediation," by Robert Pincus-Witten; "Russia's Underground Art Market," by Sybil Schwarz; "An Interview with Anthony Caro," by Phyllis Tuchman; "Caro's New Sculpture," by Walter D. ... [details]
Issue edited by John Coplans. Essays "Jo Baer: Notes on 5 Recent Paintings," by Carter Ratcliff; "Utopia/Anti-Utopia," by Leon Golub; "Keith Sonnier: Video and Film as Color-Field," by Robert Pincus-Witten; "Richard Serra: Sculpture Redrawn," by Rosalind Krauss; "An Interview with Composer Steve Reich," by Emily Wasserman; "London: Roeluf Louw," by Kenneth Baker; "Grids," John Elderfield; "The Films of Harry Smith," by P. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Exhibition catalogue published in conjunction with show held October 4 - November 9, 1986. Essay by Kenneth Baker. Includes full page illustrations of works in show and checklist. [details]
"One of America's most important artists, Bruce Nauman has worked in a dazzling variety of media since the mid-1960s : sculpture, photography, performance, installation art, sound, holography, film, and video. ... [details]
Compendium of critical essays on Carl Andre from 1965 - 2004. Includes reviews and critical essays. Lacks any interviews with the artist, however, some of the included texts do contain direct quotes by Andre. ... [details]
Exhibition catalogue published in conjunction with show held at the University of Connecticut, Stamford, October 9 - November 21, 1982; the University of Rhode Island, Providence, December 7 - January 21, 1983; the University of Massachusetts, Amherst, February 4 - March 20, 1983; the University of Vermont, Burlington, April 8 - June 6, 1983; the University of Southern Maine, Gorham, Summer 1983; the University of New Hampshire, Durham, September 13 - October 26, 1983; and the University of Maine at Orono, November 8 - December 15, 1983. ... [details]
Critical theory by Cynthia Maris Dantzic, "...an extensive review of New York painters and their widely diverse works. It presents an overview of styles, mediums, subjects, even philosophies of art found in galleries, museums, and artists' studios of present-day New York, the oft-acknowledged Art Capital of the contemporary world. ... [details]
