Issue edited by Ingrid Sischy. Essays "Editorial: An Appreciation of H.C. Westermann; "Parody and Appropriation in Francis Picabia, Pop, and Sigmar Polke," by Benjamin H.D. Buchloh; "Approaching the Abyss: Monet's Era," by Roger Shattuck; "Strangers in a Strange Land: Timothy O'Sullivan and Henry Adams," by Colin Westerbeck; "Scattered Pictures: The Movies of Werner Schroeter," by Gary Indiana; "Looking Up at Jeff Wall's Modern 'Appassionamento,'" by Donald Kuspit; "Clay and Bronze," a project by Lucas Samaras; "Books: Robert Kushner on 'Man as Art,'" by Robert Kushner. ... [details]
"Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N. ... [details]
Deluxe boxed edition of the two LP record "Revolutions Per Minute (The Art Record)," produced by Jeff Gordon. Includes audio recordings as well as a portfolio of twenty-one original photo lithographs created as album cover proposals by: Jud Fine, Eleanor Antin, Terry Fox, Margaret Harrison, Les Levine, Hannah Wilke, Douglas Davis, Komar & Melamid, Helen Mayer Harrison, Newton Harrison, Vincenzo Agnetti, Chris Burden, Piotr Kowalski, William Burroughs, Ida Applebroog, Edwin Schlossberg, Site, R. ... [details]
"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Exhibition catalogue published in conjunction with show held at the Massachusetts Institute of Technology, Cambridge, Massachusetts, 1982. Edited by Antonio Muntadas and Peter D'Agostino. Artists include Sanja Ivekovic, Reese Williams, John Brumfield, Hans Haacke, David Craven, Erika Rothenberg, Kristine Stiles, Les Levine, Dan Graham, Chip Lord, Richard Kriesche, Victor Burgin, General Idea, Robert Morgan, Joan Rabascall, Hal Fischer, Catalina Parra, Jusy Malloy, and Judith Barry. ... [details]
![Journal [LAICA Journal]](/objects/images/s20318.jpg "Journal [LAICA Journal]")
September - October 1981 issue of Journal Contemporary Art Magazine, edited by Bridget Johnson. Contents include: "David Salle Interview," by Peter Schjeldahl; "Knud Merrild: To Be Transformed in the Flux," by Susan Ehrlich; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Exhibition catalogue published in conjunction with show held . Includes writing by Germano Celant, William Burroughs, Douglas Crimp, Nancy Buchanan, Morgan Fischer, Michael Pye, Gregory Sandow, Ingrid Sischy. ... [details]
![Journal [LAICA Journal]](/objects/images/s20400.jpg "Journal [LAICA Journal]")
Edited by Bridget Johnson, cover design by Doug Wheeler. Essays "Art at Large," by Peter Clothier; "At Large in Santa Barbara," by Richard Ross; "You Can't Tell a Book by Its Cover (But You Can Locate a Text by Its Spine)," by Robert C. ... [details]
![Journal [LAICA Journal]](/objects/images/s20404.jpg "Journal [LAICA Journal]")
Edited by Bridget Johnson, cover by Eleanor Antin. Essays "Video Art in Southern California," by Louise Lewis; "VD Lives/TV Must Die," by Vito Acconci; "Mass Media and the Artist: A Conversation with Gene Youngblood, Tamara Tovey, John Riddler and David Ross," by Davis Ross; "Interview with Eleanor Antin," Dinah Portner; "ADP: An Answer Driving the Problem," by James Hugunin; "The Regime of the Video State," by John Riddler; "The Holland Race," by Robert Morgan; "Film Space: A Preliminary Sketch," by Grahame Weinbren; "Painting: Americans in Paris," by Francis Colpitt; "Performance: What Can Happen, What Does Happen: The Kipper Kids," by Fredrica Drotos; "Photography: Count Dracula in the Olive Grove," by John Brumfield; "Photography: A Growth Investment," by Dr. ... [details]
