Issue edited by Michelle Kuo. Essays "Passages: Ed Halter on George Kuchar," by Ed Halter; "Books: Tom Holert on Judith F. Rodenbeck's "Radical Prototypes,"" by Tom Holert; "Barry Schwabsky on David Antin's "Radical Coherency,"" by Barry Schwabsky; "Film: J. ... [details]
Issue edited by Barney Rosset. Contents include "The Tide," by Andre Pieyre de Mandiargues; "Dragtime and Drugtime; or, Film a la Warhol," by Parker Tyler; "Elegy, As If I Meant It," by John Palcewski; "Ep Art," by Guy and Elizabeth Cross; "Four Sections from Sheeper," by Irving Rosenthal; "Exterminator!" by William S. ... [details]
Set of two cassette tapes featuring lectures by John Cage. Contained in plastic with original packaging, which features the following explanation, "There have never been lectures like these: delivered at Harvard in 1988-89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. ... [details]
Issue edited by Al Goldstein. In red, yellow, and green varieties. Essays include "Biblical Smut : First and Best in the World It Created," by Al Goldstein; "Legal Bullshit : 'I Never Met a Cock I Didn't Want to Eat!' -Queen Victoria," by Al Pseudonym; "The Gang That Couldn't Bang Straight," by Dot Smith; "Naked City," by Bob Amsel; "Fuckbooks : Manhood Mania," by Michael Perkins; "It's a Drag Being a Male Model," by John Francis Hunter; "Shit List," by Al Goldstein; "Morons in Media : Hillbilly Hogshit," by O. ... [details]
Issue edited by Al Goldstein. Essays "A Tit for a Token : Is Miss Subways a Two-Bit Whore?" by John Francis Hunter; "Fuckbooks : Nookie, Tushie, and Twat," by J. Sucki-Fucki and Mara Mills; "Global Garbage," by Jim Buckley; "John Voight : Straight in the Saddle Part II, a Screw Interview," by Ken Gaul; "What Makes a Fuck Great?" by Dot Smith; " The Beauty and the Brute," by O. ... [details]
Artist's book by John Cage. Photographs by Robert Mahon. "In Themes & Variations John Cage opens a new chamber in the work he has created 'out of a need for poetry' : a poem, a score for oral performance, a typographic experiment, a musical composition in which the words are notes and the ideas phrases, a series of mesostics determined by chance operations and combined with the traditional Japanese form of Renga. ... [details]
