Exhibition catalogue published in conjunction with show held in conjunction with show held at Davison Art Center, Wesleyan University, Middletown, CT, September 28 - November 4, 1973. Traveled to Hopkins Art Galleries, Dartmouth College, Hanover, New Hampshire, November 15 - January 1, 1974; Georgia Museum of Art, The University of Georgia, Athens, Georgia, January 13 - February 10, 1974; The New York Cultural Center, New York, NY, March 15 - May 1, 1974; The Minneapolis Institute of Arts, Minneapolis, MN, May 15 - June 30, 1974; Des Moines Art Center, Des Moines, Iowa, July 10 - September 10, 1974; Fort Worth Art Center Museum, Fort Worth, TX, December 15, 1974 - January 20, 1975; and Museum of Art, Rhode Island School of Design, Providence, Rhode Island, February 1 - March 15, 1975. ... [details]
Exhibition catalogue published in conjunction with show held March 2 - April 15, 1973. Curated and with text by Richard S. Field in collaboration with Wesleyan Students including Jeffrey Deitch in one of his earliest curatorial efforts, who along with fellow students Rosemary Rodgers, Puffin D'Oench, and John Spike contributed additional text. ... [details]
Exhibition catalogue published in conjunction with show held November 9 - December 9, 1973. Catalogue prepared by Louise Sperling and Richard S. Field. Artists include Peter Blake, John Clem Clarke, John Constable, Ron Davis, Bill Davison, Peter Dechar, Jim Dine, Michael English, Richard Estes, Eugene Feldman, Joe Goode, Adolph Gottlieb, Bob Graham, Melissa Gurdus, Richard Hamilton, Robert Indiana, Paul Jenkins, Jasper Johns, Alex Katz, Edward Kienholz, Roy Lichtenstein, Lowell Nesbitt, Georgia O'Keeffe, Claes Oldenburg, Kenneth Price, Robert Rauschenberg, John Salt, Andrew Stasik, Frank Stella and Andy Warhol. ... [details]
Artist's book compiled from six lectures given by John Cage for Harvard's Norton Lecture Series. Includes mesostics, transcriptions of the lively question-and-answer sessions that followed, and Audio CD of Cage reading. [details]
Collected anthology of John Cage's writings from 1979 - 1982. "In 'X,' Cage continues his work with mesostics (poems with words written down the middle). Using the author's names as the central words, he takes us through 'Finnegans Wake," Pound's 'Cantos,' and suggests in 'AN ALPHABET' that the ABCs of Cage's own way of enjoying daily life are in the works of James Joyce, Marcel Duchamp, and Erik Satie. ... [details]
Catalogue published in conjunction with an exhibition first shown at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, March 6 - April 8, 1992, and that then traveled to the Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, October 20 - December 6, 1992. ... [details]
A collection of letters and writings by avant-garde composer John Cage. "These papers and addresses mirror his major concerns. Here are statements of his views on experimental music: Composition by chance operations, indeterminacy of performance, the use of electronic sound, the value of ambient noise. ... [details]
Collection of writings and transcriptions of lectures by John Cage. Printed in black-and-white. [details]
Collected anthology of John Cage's writings from 1979 - 1982. "In 'X,' Cage continues his work with mesostics (poems with words written down the middle). Using the author's names as the central words, he takes us through 'Finnegans Wake," Pound's 'Cantos,' and suggests in 'AN ALPHABET' that the ABCs of Cage's own way of enjoying daily life are in the works of James Joyce, Marcel Duchamp, and Erik Satie. ... [details]
Exhibition catalogue published in conjunction with show held August 30 - October 29, 1989. Text by Klaus Ottmann. Includes biographies of the artists. [details]
