Eight temporary tattoos designed by Jerónimo López Ramírez aka Dr. Lakra published in conjunction with his first solo museum exhibition in the United States held at the Institute of Contemporary Art (ICA), Boston April 14 – September 6, 2010. [details]
"109 Stackheads reproduces 109 drawings, the contents of a sketch-book filled by Benkert between May 27th and June 17th, 2000. The “Stackheads” of the title, so named by his friend Frank Owen, identify the outline resembling a squared head with ears that Benkert used to frame the highly worked, amazingly varied interiors. ... [details]
Monograph on the pavilion sculptures of Dan Graham published in conjunction with the installation of a new pavilion sculpture at Krabbesholm Højskole, Skive, Denmark, in 2010. Includes a conversation between Dan Graham and Jeppe Hein, moderated by Dieter Roelstraete. ... [details]
Exhibition catalogue published in conjunction with show held at the P74 Center and Gallery, Ljubljana, April 23 - May 21, 2009. Text by Miško Šuvakovic. Includes brief biographical notes on the collaborators of the OHO Grou, selected exhibition history, bibliography, and references. ... [details]
![The Xeroxed Book [aka : Untitled -- aka : The Xerox Book, aka : Andre / Barry / Huebler / Kosuth / LeWitt / Morris / Weiner]](/objects/images/s16944.jpg "The Xeroxed Book [aka : Untitled -- aka : The Xerox Book, aka : Andre / Barry / Huebler / Kosuth / LeWitt / Morris / Weiner]")
A remake of the classic artists' publication originally published as the "Xerox Book," by dealers Siegelaub and Wendler. "The Xeroxed Book is based on Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Lawrence Weiner - an artists book published by Seth Siegelaub and John Wendler in 1969 that is more commonly known as The Xerox Book. ... [details]
Artist's book exhibition catalogue by Nate Lowman with Brendan Dugan published in conjunction with show "Al-Qaeda is the CIA," held September 18 - October 23, 2010. Curated by Nate Lowman. Publication is an manipulated quasi-facsimile of Sue William's original artist's book "They Eat Shit," first published in conjunction with her exhibition held at Walter / McBean Gallery, San Francisco Art Institute, July 14 - August 14, 1993. [details]
Exhibition catalogue published in conjunction with show held in 2010. Text by Chantal Pontbriand. Artists include Adam Adach, Carl Andre, Roy Arden, Hans Arp, John Baldessari, Robert Barry, Lothar Baumgarten, Bernd & Hilla Becher, Valérie Belin, Christian Boltanski, Christine Borland, Louise Bourgeois, Victor Burgin, John Chamberlain, Johan Creten, Thierry de Cordier, Philip-Lorca diCorcia, William Eggleston, Olafur Eliasson, Jan Fabre, Patrick Faigenbaum, Sylvie Fleury, Lucio Fontana, Michel François, Hiroto Fugimoto, Seiichi Furuya, Gilbert & George, Antony Gormley, Rodney Graham, Andreas Gursky, Barbara Hepworth, Gary Hill, Roni Horn, Shirazeh Houshiary, Alfredo Jaar, Ann Veronica Janssens, Anish Kapoor, Karen Knorr, Wilmar Koenig, Josef Kudelka, Suzanne Lafont, Wolfgang Laib, Louise Lawler, Barbara & Michaël Leisgen, Sol LeWitt, Richard Long, Allan McCollum, Tatsuo Miyajima, Ryuji Miyamoto, Bruce Nauman, Shirin Neshat, Gabriele & Helmut Nothelefer, Luigi Ontani, Gabriel Orozco, Panamarenko, Sigmar Polke, Richard Prince, Gerhard Richter, David Robbins, Andreas Serrano, Cindy Sherman, Kiki Smith, Seton Smith, Thomas Struth, Hiroshi Sugimoto, Didier Veimeiren, Jan Vercruysse, Not Vital, Jeff Wall, William Wegman, Marthe Wéry and Sharon Ya'ari. ... [details]
Exhibition catalogue published in conjunction with show held at the Hamburger Kunsthalle, Hamburg, Germany, March 13, 2009 - January 17, 2010. Text by Petra Lange-Berndt and Dietmar Rübel. "The exhibition 'Sigmar Polke. ... [details]
"Avalanche" magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
Avalanche magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
