1984 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Laurie Anderson Goes for the Throat," by Mark Dery; "The Why and How of Collaboration," by Susan Block; "Pat Oleszko," by Carl Heyward; "The Evolution of Obsession," by Margot Mifflin, Yayoi Kusama Interviewed on Her Psychosomatic Art; "Linda Burnham Reports;" "Performance in the '80s: The TV Generation: Lin Hixson, Molly Cleator, Tim Miller" by Jacki Apple; "Glamour as Environmental Art," by Moe Meyer; "Michael Kelley," by Kathi Norklun; "From a Whisper to a Shout: Suzanne Lacy Talks About a Network for Women's Voices," by Margot Mifflin; "The Catalist Olympics," by Lewis MacAdams; "In Dogged Pursuit of the World's Greatest Artist," by Linda Burnham; "The D.B.D. Experience," by Linda Burnham; "The White House as an Alternative Space," by Steven Durland; "A Dream of Life and Death: Jac Mote's Performance Installations," by Angelo Funicelli; "Los Angeles Music, Dance, Film & Video: 'The L.A. New Music Web (Part 1),' by Marina LaPalma, 'L.A. Also Dances,'" by Martin A. David; "Film & Video Resources," by Linda Burnham; "Portfolio: Million Dollar Flea Market," by Elaine Hindin; "Letters;" "Hot Shorts;" "SubGenius Dept.;" "Viewpoint;" and "Tacit," by Steven Durland. Front Cover: Peggy Margaret and Lance Loud in "Hey John, Did You Take the El Camino Far?" Back Cover: Rachel Rosenthal in "Gaia, Mon Amour."