March 1989 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Marit Werenskiold, Christopher Finch, Donald B. Kuspit, Robert Storr, Ann Temkin, Brian Wallis, Christopher Lewis, Jill Johnston, Ivan Karp, Nancy Princenthal, Holland Cotter, Ken Johnson, John Zinsser, Amy Fine Collins, Bradley Collins, Jr. ... [details]
Issue edited by Philip Leider. Essays "Die Brücke at Cornell," by Reinhold A. Heller; "Morris Louis: Unfurleds and Omegas," by Kenworth Moffett; "A Synthesis," by Alan Saret; "Geometric Abstract Painting and Paris in the Thirties, Part I," by John Elderfield; "An Interview with Eva Hesse," by Cindy Nemser; "Paolo Soleri," by Donald Wall; "Excerpts from Speculation (1967-1970)," by Mel Bochner. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Issue edited by Ingrid Sischy. Essays "Stampede to the Figure," by Carter Ratcliff; "Gilbert & George: Shake Hands with the Devil," by Rosetta Brooks; "'On the Manner of Addressing Clouds,'" by Thomas McEvilley; "Just North of Modernism," by Kenneth Baker; "Broadway and 42nd Street in the Grass," photographs by Larry Fink; "Markus Raetz: Delusive Illusions," by Max Wechsler. ... [details]
Issue edited by Ingrid Sischy. Essays "Letters: On 'Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art' at the Museum of Modern Art in 1984;'" "Jonathan Borofsky: What Kind of Fool Is This?," by Jeanne Silverthorne; "Paul Delvaux's Imagination," by Ronny Cohen; "Too Much and/or Not Enough: A Note on Howard Hodgkin," by Kenneth Baker; "Kids R Us or Viva Poland or Laudable Odds and Ends," by Barbara Kruger; "The Dead and the Quick," by Greil Marcus; "Many Farber and Landscape," by Kevin Parker; "From the Night of Consumerism to the Dawn of Simulation," by Rosetta Brooks; "Forum," by Jeanne Silverthorne. ... [details]
Issue edited by Ingrid Sischy. Essays "Remembrance of Objects Past," by Rosetta Brooks; "Andy Warhol: Top Gun and Brancusi," by J. Hoberman; "Flurries of Design," by Joost Elffers; "Decoding the Coating," by Seigow Matsuoka; "An Ornamented Joke," by Joyce Kozloff; "Representing Paper," by Sidney Tillim; "The Lovers," by Ulay & Marina Abramovic; "Art to the Power N," by Germano Celant; "Ground Up," by Herbert Muschamp; "Icons at Large," by Lisa Liebmann; "Objects," by Alessandro Mendini; "Like Art," by Glenn O'Brien; "A Canvas of Episodes," by Frederic Tuten; "The Cave," by Wolfram Schutte; "Speaker to Speaker," by Greil Marcus. ... [details]
Issue edited by Ida Panicelli. Essays "Environment: Molly Hankwitz on the New Times Square," by Molly Hankwitz; "Billboard: David Deitcher on the United Colors of Benetton," by David Deitcher; "Museum Piece: Edward Ball on Personality Culture," by Edward Ball; "Books: Elaine Reichek on Liberals at War," by Elaine Reichek; "The Public Eye: Stuart Ewen on Seeing and Nothingness," by Stuart Ewen; "Critical Fictions: Alice Yaeger Kaplan on the New Hard-Boiled Woman," by Alice Yaeger Kaplan; "A Drawing Page: A Project for Artforum," by Ian Hamilton Finlay and Gary Hincks; "Madness, Sex, Exhaustion: George Ohr," by Jeff Perrone; "Japanese Moments: A Project for Artforum," by Ange Leccia; "Longo's Logos," by Carter Ratcliff; "Freud's Toys," by Louise Bourgeois; "Leon Golub, Undercover Agent," by Rosetta Brooks with an excerpt from the artist's text-in progress, "Split Infinities"; "Martha Diamon: Sensation Rising," by Bill Berkson; "Photographs from then AIDS Project 1984-89," by Brian Weil; "Theory of Flight," by Ida Panicelli. ... [details]
Issue edited by Ida Panicelli. Essays "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Exits and Entrances: Leonetta Bentivoglio on Pina Bausch's 'Palermo, Palermo,'" by Leonetta Bentivoglio; "Special Effects: Carol Squiers on Images from the Panamanian Invasion," by Carol Squiers; "The Cave: Jeanne Silverthorne on 'The Cook, The Thief, His Wife & Her Lover," by Jeanne Silverthorne; "Slant: Lynne Tillman on The Autobiography of Eve," by Lynne Tillman; "Critical Fictions: Rosetta Brooks on 'IPSODEFACTO,'" by Rosetta Brooks; "Untitled: A Project for Artforum," by David Salle; "Rites and Sites: Hans Hollein," by Germano Celant; "All Our Yesterdays," by Donald Kuspit; "After H. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: Mira Schor on the Return of the Same," by Mira Schor; "Ground Up: Herbert Muschamp on Property," by Herbert Muschamp; "Democracy, Inc.: Simon Watney on 'Pseudologia Fantastica," by Simon Watney; "The Cave: C. ... [details]
Issue edited by Ida Panicelli. Essays "Undertone: Terri Sutton on Music Vids," by Terri Sutton; "Believe it or Not: J. Hoberman on Gangster Flicks," by J. Hoberman; "The Cave: Marco Giusti on Martin Scorsese's Betrayals," by Marco Giusti; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Democracy, Inc. ... [details]