Exhibition catalogue published in conjunction with exhibition held at Institute of Contemporary Art galleries and public outdoor spaces in London, September [ ], 1985 - October [ ], 1985. Traveled to Orchard Gallery, Derry, October [ ], 1985 - November [ ], 1985 ; Douglas Hyde Gallery, Dublin, May 1986. ... [details]
Exhibition catalogue published in conjunction with show held October 18, 1986 - January 4, 1987. With text by Mary Jane Jacob and Thomas McEvilley. Profusely illustrated with color and black-and-white images. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location. Robert Ryman's Studio: A Wall of Reminders," by Amy Baker Sandback; "Ground Up. Science Fiction, Westerns, Odysseys, Romance, Head-Lines, Obits: Narrative Architects Design the City as it Lives, Stories on Top of Stories, A Plot on Every Plot," by Herbert Muschamp; "Remote Control: Television, the Permanent Guest - We'll Be Right Back," by Barbara Kruger; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Sculpture and Painting in Emilio Vedova's Studio in Venice," by Germano Celant; "Ground Up: Architecture without Architecture Critics: Ideal for the Architects," by Herbert Muschamp; "Turned Out: Richard Avedon, Sam Shepard, Joan Didion, and the Pull of the American West," by William Wilson; "Modern Life: Utopianism become Survialism - the Quantum Mechanics of Body-Building, in the West and in the East," by Carter Ratcliff; "Like Art: The New Ads and their Gift of Art. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Books: Alexandra Anderson on "Earthworks and Beyond"; Maurice Berger on "Ficciones, The Painting of Modern Life" and "The Real World of the Impressionists"; Greil Marcus on "Correspondence Art, Forbidden Dreams, James Dean, The Rap Attack, and Return Engagement"; David Salle on "Gemini G. ... [details]
Issue edited by Ingrid Sischy. Essays "Double Vision in Space City: 'The Houston School' of Barbara Rose and Susie Kalil; William Camfield's Houston Artists," by Thomas McEvilley; "American Medical Association," a project by Ida Applebroog; "Robert Morris, a Saint Jerome for Our Times," by Carter Ratcliff; "Richard Wentworth's Ad Hoc Esthetics," by Stuart Morgan; "Robert Smithson's Early Work - A Resurrection," by Stuart Morgan; "What's Natural?," A Conversation between Joseph Love and Jo Kondo; "American Prayers," by Kim Gordon; "John Duff's perfect Sculpture," by Donald Kuspit; "Endless Meaning at the Hirshhorn," by Roberta Smith; "Corrupting the Absolute," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Breaking the Box: The Electronic Operas of Robert Ashley and Woody Vasulka," by Charles Hagen; "Inside Out," photographs by Peter Campus; "Child's Play: The Late Work of Elie Nadelman," by Klaus Kertess; "Andy Warhol: Inflation Artist," by Carter Ratcliff; "Cosmic Visions from North and South," by Annelie Pohlen; "Bread and Circuses," by Stuart Morgan; "Books: Greil Marcus on 'Our Lives and Our Children,'" by Greil Marcus; "Books: Frederic Tuten on 'The Innocent Eye,'" by Frederic Tuten; "Short Cut, Fast Lane," by Greil Marcus; "Forum: What a Legend Becomes," by John Howell. ... [details]
