Exceptionally important critical anthology of early writings on Minimal and Conceptual Art. Includes essays by Gregory Battcock (the volume's editor), Lawrence Alloway (Systemic Painting), Michael Benedikt (Sculpture as Architecture), Mel Bochner (Serial Art, Systems, Solipsism), David Bourdon (The Razed Sites of Carl Andre), Nicolas Calas (Subject Matter in the Work of Barnett Newman) , Michael Fried (Art and Objecthood), Bruce Glaser (Questions to Frank Stella and Donald Judd), E. ... [details]
"Companion volume to Barbara Rose's American Art Since 1900: A Critical History - provides a forum for artists and critics writing about the art of their times." - publishers statement. Includes chapters "Apostles of Ugliness"; "The Largest Small Room in the World"; "The Armory Show: Success by Scandal"; "After the Ball: Cubism in America"; "The Thirties: Reaction and Rebellion"; "Art of This Century"; "The New American Painting"; "After Abstract Expressionism"; "Toward a Sculptural Renaissance"; Toward an American Architecture. ... [details]
Issue edited by Philip Leider. Essays "Surprise, Invention in the Sculpture of Picasso," by Albert Elsen; "Thek's Tomb," by Robert Pincus-Witten; "Jasper Johns: Colors, Maps, Devices," by Max Kozloff; "Robert Hudson," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "Scale and the Future of Modernism," by Sidney Tillim; "The Sculpture of Duchamp-Villon," by Albert Elsen; "The Constructivist Ethos, Part II," by Ronald Hunt; "Abstract Illusionism," by Barbara Rose; "Problems of Criticism II: Complaints of an Art Critic," by Clement Greenberg; "Sculpture in Canada," Harry Malcolmson; "A Note on the Canada Council," by David P. ... [details]
Issue edited by Philip Leider. Essays "American Sculpture at the Los Angeles County Museum," by Philip Leider; "Art Objecthood," by Michael Fried; "Notes on Sculpture, Part 3," by Robert Morris; "Claes Oldenburg's Soft Machines," by Barbara Rose; "Towards the Development of an Air Terminal Site," by Robert Smithson; "Mark di Suvero," by Max Kozloff; "Richard A. ... [details]
Contains Fried's "Art and Objecthood," Morris' "Notes on Sculpture, Part 3," Rose on Claes Oldenburg, Smithson's essay "Towards the Development of an Air Terminal Site," and LeWitt's essay "Paragraphs on Conceptual Art," as well as a letter to the editor by Andre. ... [details]
Issue edited by Philip Leider. Essays "Jackson Pollock and the Modern Tradition, Part III," by William Rubin; "The Value of Didactic Art," by Barbara Rose; "Ronald Davis," by Michael Fried; "Sol LeWitt: Non-Visual Structure," by Lucy Lippard; "Fahlstrom: Three Faces of Oyv," by Dennis Adrian; "Aubrey Beardsley," by Robert Pincus-Witten; "Gene Davis's New Paintings," by Max Kozloff. ... [details]
Critical history tracing "...the evolution of American art within the context of social, historical, and intellectual events." Includes chapters "Apostles of Ugliness"; "The Largest Small Room in the World"; "The Armory Show: Success by Scandal"; "After the Ball: Cubism in America"; "The Thirties: Reaction and Rebellion"; "Art of This Century"; "The New American Painting"; "After Abstract Expressionism"; "Toward a Sculptural Renaissance"; Toward an American Architecture. ... [details]
Exhibition catalogue published in conjunction with show held at the Los Angeles County Museum of Art, April 28 - June 25, 1967; and the Philadelphia Museum of Art, September 15 - October 29, 1967. Text by Maurice Tuchman, Lawrence Alloway, Wayne V. ... [details]
Texts of symposium held at Brandeis University, May 7, 1966. Participants include Barbara Rose, Michael Fried, Max Kozloff, Sidney Tillim and moderated by William C. Seitz. "New criticism can not be separated from new art. ... [details]
