Monograph honoring the first ten years of the Leo Castelli Gallery and an exhibition celebrating the anniversary held February 4 - 26, 1967. Edited by David Whitney. Statements by William C. Agee, Lawrence Alloway, John Cage, Otto Hahn, Thomas B. ... [details]
Issue edited by Philip Leider. Essays "Frank Stella's New Paintings," by Michael Fried; "David Smith at the Tate," by Max Kozloff; "Distillation," by E.C. Goossen; "Abstract Expressionism in Ceramics," by John Coplans; "'Systemic' Painting," by Robert Pincus-Witten; "The New Whitney: The Building," by Michael Brawne; "The New Whitney: The Show," by Barbara Rose; "'Eccentric Abstraction,'" by David Antin; "'Four' in L. ... [details]
Issue edited by Philip Leider. Essays "The Razed Sites of Carl Andre," by David Bourdon; "Nakian at the Modern," by Barbara Rose; "Notes on Sculpture, Part II," by Robert Morris; "Two Showings of Younger Los Angeles Artists," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "Architecture, 1966," by John Jacobus; "An Interview with Jack Youngerman," by Barbara Rose; "Claes Oldenburg: Extracts from the Studio Notes"; "Edvard Munch," by Linda Nochlin; "Wallace Berman's Verifax Collages"; "Savid Smith at the L. ... [details]
Issue edited by Philip Leider. Essays "Further Observations on the Pop Phenomenon," by Sidney Tillim; "Larry Rivers, Stuart Davis and Slang Idiom," by Max Kozloff; "Iranian Art," by Palmer French; "How to Murder an Avant Garde," by Barbara Rose; "Jules Olitski's New Paintings," by Michael Fried. ... [details]
Issue edited by Philip Leider. Essays "The New York School in Los Angeles," by Philip Leider; "Jackson Pollock," by Michael Fried; "The Biomorphic Forties," by Lawrence Alloway; "An Interview with Matta," by Max Kozloff; "The Club," by Irving Sandler; "Postscript: The Forties," by Robert Goodnough; "An Interview with Robert Motherwell," by Max Kozloff; "Color-Light in Mark Rothko," by Max Kozloff; "The Figure in Abstract Expressionism," by Sidney Tillim; "An Interview with Friedel Dzubas," by Max Kozloff; "The Second Generation," by Barbara Rose. ... [details]
Issue edited by Philip Leider. A Preview of the United States Section, Sao Paulo Bienal, 1965: "Introduction"; "Barnett Newman," by Lawrence Alloway; "Frank Stella," by Philip Leider; "Larry Bell," by John Coplans; "Donald Judd," by Barbara Rose; "Larry Poons," by John Coplans; "Billy Al Bengston," by John Coplans. ... [details]
Issue edited by Philip Leider. Essays "Filthy Pictures," by Barbara Rose; "Sidney Gordin's New Work," by Knute Stiles; "Schwitters Retrospective at U.C.L.A.," by Fidel A. Danieli; "Some New British Sculptors," by Andrew Forge; "Three New Sculptures," by Mark Di Suvero. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Allen Jones," by John Coplans; "Larry Poons," by Max Kozloff; "Optical Art at the Modern," by Barbara Rose; "Claes Oldenburg: 4 Drawings"; "The Visual Revolution of Structurist Art," by Charles Biederman; "The Commissioned Object," by Curt Opliger. ... [details]
Issue edited by Philip Leider. Essays "Looking at American Sculpture," by Barbara Rose; "John Cage in Los Angeles"; "An Interview with Edward Ruscha," by John Coplans; "Craig Kauffman," by Clair Wolfe; "Four Drawings," by Arshile Gorky; "Saint Andy," by Philip Leider. ... [details]
