Issue edited by Ingrid Sischy. Essays "Letters: On 'Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art' at the Museum of Modern Art in 1984;'" "Jonathan Borofsky: What Kind of Fool Is This?," by Jeanne Silverthorne; "Paul Delvaux's Imagination," by Ronny Cohen; "Too Much and/or Not Enough: A Note on Howard Hodgkin," by Kenneth Baker; "Kids R Us or Viva Poland or Laudable Odds and Ends," by Barbara Kruger; "The Dead and the Quick," by Greil Marcus; "Many Farber and Landscape," by Kevin Parker; "From the Night of Consumerism to the Dawn of Simulation," by Rosetta Brooks; "Forum," by Jeanne Silverthorne. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location. Robert Ryman's Studio: A Wall of Reminders," by Amy Baker Sandback; "Ground Up. Science Fiction, Westerns, Odysseys, Romance, Head-Lines, Obits: Narrative Architects Design the City as it Lives, Stories on Top of Stories, A Plot on Every Plot," by Herbert Muschamp; "Remote Control: Television, the Permanent Guest - We'll Be Right Back," by Barbara Kruger; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Balancing Bigger and Smaller, Alberto Burri's Studio," by Ida Panicelli; "Modern Life: Close Encounters with Unidentified Flying Zeitgeists," by Carter Ratcliff; "Turned Out: Biology 101 invades Art History 407. ... [details]
Issue edited by Ingrid Sischy. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. ... [details]
Issue edited by Ingrid Sischy. Essays "Animarum Venator (Hunter of Souls): An Interpretation of Arcimboldo," by Massimo Cacciari; "'I Like the Free World.' Arcadian Settlements on the Edge of the Unknown from the 1600s to the Present: Part II of a Series on Different Styles of Vision," by Carter Ratcliff; "Louis Sullivan's Clay Gardens: Pod-Modernism," by Colin Westerbeck; "Harlequinade for an Empty Room: On David Salle, Classical Steps Toward the Year 2000," by Lisa Liebmann; "Jannis Kounellis and the Reenchantment of Contradiction: Diverting Fact to Possibility," by Kenneth Baker; "Who Told Thee That Thous Was't Naked: The Immaculate Commission in the Emperor's New Clothes," by Thomas McEvilley; "Museum Piece: Los Angeles' Recent Acquisitions," by Joseph Giovannini; "Icons at Large: Knowing Who Your Friends Are," by Lisa Liebmann; "Like Art: Birthday Suits for Different Parties," by Glenn O'Brien; "Speaker to Speaker: Listening to the Words," by Greil Marcus; "Books: A Review of Art Spiegelman's Maus: A Survivor's Tale," by Richard Gehr; "A Canvas of Episodes: On the Wings of Love, Rex Finds Out What Give-and-take is All About," by Frederic Tuten. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave," Vera Dika on Film; "Exits and Entrance," Melissa Harris on Dancing in the Streets; "Special Effects," Carol Squiers on the News and Its Pictures; "Here There & Otherwise," John Welchman on Elsewhere; "Books," Max Wechsler on Sigmar Polke - Zeichnungen 1963 - 1969; "In Living Chaos: Joan Mitchell," by Bill Berkson; "Koudelka's Theater of Exile," by Max Kozloff; "Signs of the Cross," by Claudia Hart; "Fautrier: Through Paint, Alone," by Siegfried Gohr; "What Becomes of the Brokenhearted," by Maria Nadotti; "Venezia 23: Unter den Linden," by Alessandra Mammi; "The Four-Corners Game," by Daniel Soutif; "Said the Spider to the Fly," by Luciana Rogozinsky; "Dear Harry. ... [details]
Issue edited by Ida Panicelli. Essays "Curie's Children: Vilem Flusser on Science," by Vilem Flusser; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Believe it or Not: J. Hoberman on American Myths," by J. ... [details]
Issue edited by Ida Panicelli. Essays "Curies' Children: Vilem Flusser on Science," by Vilem Flusser; "Exits and Entrances: A Project for Artforum," by Marianne Goldberg; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Believe It or Not: J. ... [details]
