Book "...outlines for the archeologists and art enthusiast the enormous potential of scientific methods in distinguishing between original works and subsequent forgeries, while providing the scientist with an entertaining introduction to this multi-disciplinary field. ... [details]
Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Painterly Edge: A Conversation with Ralph Humphrey," by Amy Baker; "Patience, Observation, and Investigation: Learning from Audubon," by Mike Glier; "Abstract Beauty - Friend or Enemy?" by Wu Guan-zhong; "Marks: Cy Twomby," by John Bernard Myers; "Komar and Melamid from Behind the Ironical Curtain," by Jamey Gambrell; "Presenting the Unpresentable: The Sublime," by Jean-François Lyotard; "Fear of Clay," by John Perreault; "Books: Sarah Charlesworth on 'Camerca Lucida,'" by Sarah Charlesworth. ... [details]
Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. ... [details]
Issue 6/7 of performance periodical "Live." Features a cover story interview with Glenn Branca by John Howell. Contributors include Dan Graham, Bonnie Maranca, John Howell, Michael Earley, Gautam Dasgupta, David Rieff, Barry Kahn, Patricia Jones, Lenora Champagne, Charles Frederick, Shelley Rice, Sally Randall, Ann Sargent-Wooster, Rony Whitfield, Steve Fritz, Robert Atkins, Robert Coe, Stuart Cosgrove, Helena Kontova, Martha Fleming, and Tobler Lugo. [details]
