Artist's project by Ira Joel Haber, artist and employee of Norbert J. Prager Associates, a company that dealt with mailed surveys. Haber asked 27 artists to check two sets of numbers "to share with them my immediate environment in some of its visual and process forms. ... [details]
Exhibition catalogue published in conjunction with shows held in 70 different New York City galleries, the sales of which benefited the American Foundation for AIDS Research. Text by Robert Rosenblum and Matilde Krim, Ph. ... [details]
Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. ... [details]
Double sided card / announcement published in conjunction with Prospect 71 which opened in October of 1971. Artists included: Konrad Fischer, Jürgen Harten, Hans Strelow, Vito Acconci, Bas Jan Ader, John Baldessari, Robert Barry, Bernhard and Hilla Becher, Ben, Joseph Beuys, Claus Böhmler, Christian Boltanski, Ian Breakwell, KP Brehmer, Stig Broegger, Marcel Broodthaers, Stanley Brouwn, Victor Burgin, John Chamberlain, Chuck Close, Roger Cutforth, Hanne Darboven, Walter de Maria, Jan Dibbets, Gino De Dominicis, Ger van Elk, Barry Flanagan, Terry Fox, Hollis Frampton, Howard Fried, Hamish Fulton, Gilbert & George, Dan Graham, Nancy Stevenson Graves, Hans Haacke, David Hall, Richard Hamilton, Michael Heizer, John Hilliard, K H Hödicke, Robert Huot, Lee Jaffee, Wolf Knoebel, Ferdinand Kriwet, David Lamelas, John Latham, Barry Le Va, Les Levine, Bruce McLean, Mario Merz, Tony Morgan, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, A. ... [details]
![A.W.C. : Open Hearing / An Open Public Hearing on the Subject : What Should be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers Coalition [AWC]](/objects/images/s14833.jpg "A.W.C. : Open Hearing / An Open Public Hearing on the Subject : What Should be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers Coalition [AWC]")
The report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
Compendium of writings and projects for publication by Dan Graham, edited by Brian Wallis. Essays include "My Works for Magazine Pages: 'A History of Conceptual Art;'" "Information: Conceptual Art / Magazines / The Sixties"; "Eisenhower and the Hippies"; "Side Effect / Common Drug"; "Homes for America"; "Schema (March 1966)"; "Information"; "Figurative"; "'Aspen': One Proposal"; "Income Piece"; "Subject Matter"; "Detumescence"; "Dean Martin / Entertainment as Theater"; "Past Future/Split Attention"; "The End of Liberalism"; "Rock My Religion"; "Punk as Propaganda"; "Performer / Audience / Mirror"; "New Wave Rock and the Feminine"; "Body Press"; "McLaren's Children"; "Performance and Stage Set"; "The Lickerish Quartet"; "Cinema"; "Theater, Cinema, Power"; "Public Space / Two Audiences"; "Gordon Matta-Clark"; "Alteration of a Suburban House"; "Art as Design"; "Video Design"; "Art in Relation to Architecture / Architecture in Relation to Art"; "Video View of Suburbia in an Urban Atrium"; "The City as Museum"; "Two Adjacent Pavilions"; "Corporate Arcadias"; "Pergola / Conservatory"; "Garden as Theater as Museum"; and "Children's Pavilion. ... [details]
Publication produced in conjunction with Graham's Performance 1 (Live) which was presented at the Art Students' Association at NYU on December 14, 1970. Includes writings by Graham on pieces such as "("Like")," "Lax/Relax," "Dean Martin / Entertainment as Theatre" and "Country Trip. ... [details]
Artist's book by Dan Graham originally self-published by the artist in 1969. Contains essays "Dan Martin / Entertainment as Satire," "Subject Matter," "Photographs of Motion," "Information," "Home for America," "Sign and Object," "Magazine As System / Ads' Function," "Likes," "Two Structures / Sol LeWitt" and additional projects. ... [details]
Single sided flyer announcing a series of concerts held at Bert Stern's Studio with support from Leo Castelli, New York City, May 25 - 28, 1968. Performances, artwork, including "Topsoil" by Alex Hay; "Nobody Knows the Trouble You've Seen" by Charles Silver and Edward Lonchike; "Code Poems" by Hannah Weiner with performances by Michael Kirby, Carter Ratcliff, Weiner, Erich Rogers, John Neal and assist of Tom Trengrove, Dan Graham and Marjorie Strider; "Song and Face Book" by Simone Whitman; "Linoleum" by Robert Rauschenberg featuring Tony Holder, Julie Martin, Steve Paxton, Rauschenberg, Dorothea Rockburne, Dick Van Buren, Simone Whitman with sculpture by Robert Breer and Maxfeeder by Max Neuhaus; "Duchamp Segment of Hans Richter's Dreams Money Can Buy" by Elaine Sturtevant with pianist Lorne Hollander; and "Hitch" by Tom Gormley" with Eldridge Cooke, Michael Kirby, Gormley and assist by Christos Gianakos and Barbara Gormley. [details]
Exhibition catalogue published in conjunction with show held in July 1971. Organized by Jorge Glusberg. Artists include Vito Acconci, Eleanor Antin, Arakawa, Sue Arrowsmith, David Askevold, Walter Ave, John Baldessari, Manuel Barbadillo, Robert Barry, Otto Beckmann, Luis Benedit, Mel Bochner, Christian Boltanski, Ian Breakwell, Eugen Brikcius, Stuart Brisley, Stanley Brouwn, Donald Burgy, Don Celender, Jürgen Claus, James Collins, Christo, Agnes Denes, Mirtha Dermisache, Antonio Dias, Geniy Dignac, Gregorio Dujovny, David Dye, Stano Filko, Barry Flanagan, Terry Fox, Dr. ... [details]
