One of five cloth field emblem patches designed by Matthew Barney published in conjunction with show "Matthew Barney: The Cremaster Cycle," held February 21 – June 11, 2003, emblematic of Cremaster 5. [details]
Cremaster 3, the last in Matthew Barney's epic five-part film project, is part zombie, part gangster film. Set in 1930s New York and Saratoga Springs as well as Giant's Causeway in Northern Ireland, the plot explores the Irish mob system, freemasonry, and Celtic lore as further symbols for the forces at play in "Barney's mythological system. ... [details]
Double sided announcement card for film showing held at Film Forum, October 22 - November 4, [1997] and exhibition held at Barbara Gladstone Gallery, October 25 - December 20, [1997]. Cremaster 5 logo on recto and typography on verso with line drawing of Cremaster logo. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
Pair of sweat socks produced in conjunction with Cary Leibowitz's first solo museum exhibition, "Cary Leibowitz: Museum Show," held January 26 – June 25, 2017. Text on the socks reads: "S.F. / CONTEMP. ... [details]
March 1969 issue of Ace : A Magazine for Men of Distinction, edited by Herman Petras. Contents include: "Why America's Called a Sexual Wilderness," by Ernest Welsh; "Kookie Kusama: Fun City's New Nude Goddess of Free Love," by John Stange; A Modern Man's Method of Making Out," by Ed Wilcox; "The Insatiable Sex Queen of Hell's Suburb," by Betty Riley; "Why That First Date Was a Scoreless Tie," by Jay Mennen; "Nicky Arnstein: The Truth About the Rogue Who Made 'Funny Girl' Cry," by Wm. ... [details]
Exhibition catalogue published in conjunction with show held October 5, 2021 - January 15, 2022. Essay by Dan Cameron. Includes an exhibition checklist. [details]
Selections from Ludwig Wittgenstein's journal featuring his thoughts on art, life, and culture, edited by G.H. von Wright in collaboration with Heikki Nyman, translated from the German by Peter Winch. ... [details]
Poster published in conjunction with a series of concerts performed in celebration of the 30-Year Retrospective of La Monte Young's "The Well-Tuned Piano," held at Dia Art Foundation Performance Space, New York, March 28 - May 21, 1987, performances held within a sound and light environment by La Monte Young and Marian Zazeela. ... [details]
Flyer promoting a march in favor of disarming the armed forces on Flower Power Day held on May 20, [1967]. Flyer design credited to NY WINSPRUNG. [details]
