Concertina artist's book featuring a selection of images taken from social media of people looking at art, found and chosen by Jonathan Monk. [details]
"The Matrix by Norman H. Pritchard (1939–1996) gathers a selection of the Concrete and Black Arts poet’s work from 1960 to 1970. The seventy-one poems collected here might be regarded, as Charles Bernstein has written, as 'sound' poems, being tethered not only to the literature of the Black Arts Movement but also to jazz culture and urban life in New York. ... [details]
"First published in 1971, A Documentary HerStory of Women Artists in Revolution documents the efforts of a group of women artists, filmmakers, writers, critics, and cultural workers organized around advancing women in the art world. ... [details]
"Gas, Food, and Lodging is a series of paintings by Glen Rubsamen from 2020. The book includes 19 color illustrations from this series and an essay explaining the social and political implications of the works by Iván Aimé Valenciano. ... [details]
"Détournement (literally, diversion or hijacking), is the act of turning the expressions, both visual and literary, of the capitalist system and its mediatized military culture against itself. In Glen Rubsamen’s War Series this détournement is directed against an increasingly intrusive and instrumentalizing technocratic culture whose function is the manufacture of consent through the manipulation of symbols. ... [details]
"In his series of paintings ‘Environmental Catastrophes Top Ten And Other Abominations' Rubsamen pokes fun at our need to make lists and hierarchies to codify the bad and the good. If we Google ‘Worst man-made environmental disasters in history’ the screen fills with sites offering lists. ... [details]
Exhibition catalogue published in conjunction with show held January 12 - February 27, 2021. Edited and with an essay by Dieter Schwarz. With additional texts by Samuel J. Wagstaff Jr. and Harold Rosenberg. ... [details]
The Thursday, January 28, 2021 issue of the New York Times featuring a letter to the editor titled "'Conspiracy Fantasy'" by Rosalind Krauss. "The ubiquitous use of 'conspiracy theory' referring to the circulation on the web of dark plots within government is itself misinformation. ... [details]
A collection of essays originally published in 1971 and reprinted on the 50th anniversary of the original printing, edited and with an introduction by Tom Lloyd. Texts by Melvin Dixon, Imamu Amiri Baraka (Le Roi Jones), Jeff Donaldson, Bing Davis, Ray Elkins, Francis Ward, Val Gray Ward, Babatunde Folayemi (Tony Northern), with the introductory essay to the Whitney exhibition "Contemporary Black Artists in America" by Robert Doty. ... [details]
"First published in 1994, Camino Road is artist Renée Green’s debut novel—a short, ruminative work infused with semantic ambiguity and the dreamy poetry of the quotidian. Republished here in a facsimile edition, the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York, but what emerges is more an intertextual assemblage of the moments between drives, dreams, and consciousness. ... [details]
