"Artist-collector and handywoman, Annette Messager has made nearly sixty "collection albums" between 1972 and 1974. Inspired by words, writings and images, the artist has created her albums from an accumulation of texts, photographs, notes and miscellaneous items, cautiously collected and sorted. ... [details]
"Artist-collector and handywoman, Annette Messager has made nearly sixty "collection albums" between 1972 and 1974. Inspired by words, writings and images, the artist has created her albums from an accumulation of texts, photographs, notes and miscellaneous items, cautiously collected and sorted. ... [details]
Exhibition catalogue published in conjunction with show held at The Blanton Museum of Art, The University of Texas at Austin, Texas, September 11 - December 30, 2007. Traveled to the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, April 24 - August 3, 2008. ... [details]
"Artist-collector and handywoman, Annette Messager has made nearly sixty "collection albums" between 1972 and 1974. Inspired by words, writings and images, the artist has created her albums from an accumulation of texts, photographs, notes and miscellaneous items, cautiously collected and sorted. ... [details]
Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Essays "Notes for a Film of Capital," by Sergei Eisenstein; "Reading Eisenstein Reading Capital," by Annette Michelson; "Film About a Woman Who. ... [details]
Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Essays "Fragments from the Rodin Museum," by Robert Morris; "Magnification and Other Writings on Film," by Jean Epstein; "Blue Poem for B. ... [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "A Specter and Its Specter," by Annette Michelson; "Russian Diary 1927-28," by Alfred H. Barr, Jr.; "Gogol-Meyerhold's The Inspector-General," by A. ... [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "Lecture... ," by Roland Barthes and Leo Bersani; "The Forms of Violence," by Ulysse Dutoit; "Sculpture in the Expanded Field," by Rosalind Krauss; "[f]rom Americans on the Move," by Laurie Anderson; "Stuart Sherman: Object Ritual," by Bérénice Reynaud; "Pictures," by Douglas Crimp; "Seven Prolegomenae to a Brief Treatise on Magrittian Tropes," by Jean Clair; "About Snow," by Annette Michelson. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "The Duchamp Defense," by Hubert Damisch; "A Conversation about Glacial Deocy," by Trisha Brown and Yvonne Rainer; "A Portfolio of Photographs of Trisha Brown's Work," by Babette Mangolte; "The Function of the Studio," by Daniel Buren; "Preliminary Notes on the Pragmatic of Works: Daniel Buren," by Jean-François Lyotard; "Richard Serra's Films: An Interview," by Annette Michelson, Richard Serra, and Clara Weyergraf; "Vision in Process," by Birgit Pelzer; "Earthwords," by Craig Owens. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "An Introduction to the Notebook of Maya Deren, 1947," by Catrina Neiman; "An Exchange of Letters," by Maya Deren and Gregory Bateson; "From the Notebook of 1947," by Maya Deren; "On Reading Deren's Notebook," by Annette Michelson; "Letters from Mexico," by Sergei Eisenstein; "Bayreuth: The Centennial Ring," by Annette Michelson; "Chéreau's Treachery," by Jean-Jacques Nattiez and Pierre Boulez; "A Conversation," by Michel Fano. [details]
