First issue of E.A.T. NEWS, a newsletter published by Experiments in Art and Technology (E.A.T), January 15, 1967.
"E.A.T. NEWS is designed to reach everyone interested in the activities of Experiments in Art and Technology, Inc.
...
[details]
Catalogue for a juried exhibition curated by scientists conceived by Art & Technology guru Billy Klüver. Organized by Experiments in Art and Technology in conjunction with the Brooklyn Museum and The Museum of Modern Art, a call for submissions was placed in the New York Times on November 12, 1967 [reproduced in this catalogue] the show drew budding technologists / artists with the chosen work ultimately exhibited at the Museum. ... [details]
Single fold program for Billy Klüver's memorial celebration held at Judson Memorial Church, New York City, March 19, 2004. Speakers included Madeline Piel, Jonathan Piel, Elsa Garmire, Theodore W. Kheel, John Giorno, Mimi Gross, Pauline Oliveros, Robert Whitman, Robert Breer, Julie Martin and Becky Howland. ... [details]
Newsletter published by Experiments in Art and Technology (E.A.T), June 1, 1967. Includes a statement of purpose by Robert Rauschenberg and Billy Klüver and E.A.T. news and updates. [details]
Original thermal fax sent to Jerry Orderver by Billy Klüver on February 22, 1994 inviting Jerry to a celebration of Klüver's 40th anniversary of living in the New York area, held at The Odeon on February 24, 1994. ... [details]
Program for performances held May 15, 16, 17, 22, 23, 24, 25, 26, 1968. Program notes "Music by Velvet Underground." Performances included Scramble (1967) with music by Toshi Ichiyanagi, costumes by Frank Stella, musicians included David Behrman, John Cage, Malcolm Goldstein, Gordon Mumma, Max Neuhaus, David Tudor; RainForest (1968) with music by Tudor, decor by Andy Warhol, musicians Mumma and Tudor; How to Pass, Kick, Fall and Run (1966) with music by Cage, readers Cage and David Vaughan; Variations V (1965) with music by Cage, film sequences by Stan VanDerBeek, electronics by Billy Klüver, Robert Moog; Place (1966) with music by Mumma, decor and costumes by Beverly Emmons, bandoneon by Tudor and cybersonic console by Mumma; Nocturnes (1965) with music by Erik Satie, decor and costumes by Robert Rauschenberg, piano by Cage; Winterbranch (1964) with music by LaMonte Young, costumes, decor and lighting by Rauschenberg supervised by Emmons; Field Dances (1963) with music by Cage, costumes by Remy Charlip, Untitled Solo (1953) with music by Christian Wolff, piano by Tudor; Walkaround Time (1968) with music by David Behrman, decor "after Marcel Duchamp's The Large Glass in the Philadelphia Museum - supervised by Jasper Johns," musicians Behrman, Mumma, Tudor; Suite for Five (1953 - 1958) with music by Cage, costumes by Rauschenberg, pianos by Cage and Tudor; and Collage III with music by Pierre Schaeffer. ... [details]
Flyer / ticket order form for a series of performances held at the 25th Street Armory, New York City, over nine evenings -- October 13, 14, 15, 16, 18, 19, 21, 22 and 23, 1966 -- of collaborative works between engineers and artists including John Cage, Lucinda Childs, Oyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor, and Robert Whitman. ... [details]
Press release issued March 2, 1970 by Experiments in Art and Technology (E.A.T), Billy Klüver, President of Experiments in Art and Technology (E.A.T) and Theodore Kheel, President of the American Foundation on Automation and Employment. ... [details]
Postcard featuring a color photograph by Peter Moore of Andy Warhol and Billy Klüver with one of Warhol's mylar pillows in New York City in 1966. [details]
Set of ten publications and documents of the formation of Experiments in Art and Technology (E.A.T.) and their projects. Includes: a three page press release announcing the alliance between E.A.T. and the American Foundation on Automation and Employment, Inc. ... [details]