Exhibition brochure published in conjunction with show. Essay by Edward F. Fry. Includes checklist. [details]
Exhibition catalogue published in conjunction with show held at Daimler Contemporary, Berlin, Germany, March 31 - September 9, 2012. Edited by Renate Wiehager, with text on minimalist tendencies in German architecture, literature, film and design by Sandra Brechtelt, Nadine Brüggebors, Susannah Cremer-Bermbach, Norbert Grob, Dorothée Henschel, Paul Kaiser, Miriam Schoofs, Gregor Stemmrich, Renate Wiehager. ... [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]
Exhibition catalogue published in conjunction with show held at Museum of Contemporary Art Chicago, Chicago, February 11 - June 3, 2012. Traveled to Institute of Contemporary Art/Boston, Boston, June 30 - September 30, 2012; Walker Art Center, Minneapolis, October 26, 2012 - January 27, 2013. ... [details]
Exhibition catalogue published in conjunction with show held at De Kabinetten van de Vleeshal, Middelburg, The Netherlands, September 10 - October 9, 2011. Traveled to Fondazione Bevilacqua la Masa, Venice, October 14 - November 4, 2011 ; Khoj International Artists' Association, New Delhi, November 18 - December 16, 2011 ; Mumbai Art Room, Mumbai, January 13 - February 10, 2012 ; Nero HQ, Rome, February 3 - March 2, 2012 ; John M. ... [details]
Publication containing extracted essays by Lucy R. Lippard, Alan W. Moore, Francis Frascina, Julia Bryan-Wilson, and Andrea Fraser. Includes an interview between Hans Haacke and Dario Corbeira, reproduction of Seth Siegelaub and Robert Projansky's "Artist's Reserved Right Transfer and Sale Agreement," as well as reprints of the Art Workers' Coalition publications "Open Hearing" and "Documents 1" pilfered from Primary Information. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: Uses and Abuses," by Tim Griffin; "Passages: Liza Béar and Hans Haacke on Willoughby Sharp," by Liza Béar and Hans Haacke; "Books: Liz Kotz on Primary Information," by Liz Kotz; "Film: Amy Taubin on Kiyoshi Kurosawa's 'Tokyo Sonata,'" by Amy Taubin; "On Site: Catherine Wood on Jeff Koons and Tino Sehgal," by Catherine Wood; "Slant: Helen Molesworth on Catherine Opie and 'theanyspacewhatever,'" by Helen Molesworth; "Slant: Ina Blom on 'Whatever Happened to Sex in Scandinavia?" by Ina Blom; "Top Ten," by Stefan Tcherepnin; "In Conversation: Dara Birnbaum and Cory Arcangel"; "Cover Versions: The Reinvention of Music Video," by Michel Gondry, Barbara London, Rodney Graham, Michael Bell-Smith, Steina, Cao Fei, E*Rock; "Cut and Paste: The Collage Impulse Today," by Charlie White; "Authorial Intervention: The Art of Jacques Villeglé," by Tom McDonough; "1000 Words: Trevor Paglen," by Tom Vanderbilt; "Openings: Chu Yun," by Philip Tinari. ... [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]
"This publication is part of Maria Eichhorn's project 'The Artist's Contract.' From 1996 to 2005 Eichhorn conducted interviews with artists, art dealers, and the authors of 'The Artist's Reserved Rights Transfer and Sale Agreement,' [Seth Siegelaub and Robert Projansky]. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
